Urtext Edition
> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola 1 (Urtext)
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> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola 2 (Urtext)
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> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
- Mixed Choir (SATB) and Orchestra
- Single Part 2 Cellos (Urtext)
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> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...
> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...
- Soloists (STB), Mixed Choir (SATB), Organ and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...
> Gounod's well-known mass in a new Urtext edition > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Idiomatic piano reduction > In preparation for the Gounod bicentenary year 2018 Sacred...
- Soloists (STB), Mixed Choir (SATB), Organ and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...
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- Instrumental Part: Violin 2 (Urtext)
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> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Violin 1 (Urtext)
- Andrea Campora
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> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Violin 2 (Urtext)
- Andrea Campora
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- Soloists, Mixed Choir (SSAATTBB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Violine 1, Posaune (3), Pauke, Streicher, Orgel - Einzelstimme; Urtextausgabe
Violine 1, Posaune (3), Pauke, Streicher, Orgel - Einzelstimme; Urtextausgabe
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- Instrumental Part: Violin 1 (Urtext)
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
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- Instrumental Part: Violin 1 (Urtext)
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> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...
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- Instrumental Part: Violin 2 (Urtext)
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Organ (Urtext) Download
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
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- Instrumental Part: Violin 1 (Urtext)
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- Also available for download!
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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- Also available for download!
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Download) (Urtext)
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immediately available
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello (Download) (Urtext)
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immediately available
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Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...
- Soloists (SST), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Double Bass (Urtext) Download
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Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Ulrich Leisinger
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Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
Mozart’s magnificent unfinished 'Great Mass in C minor K. 427' is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performer...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Ulrich Leisinger
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As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
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- Instrumental Part: Violin 1 (Urtext)
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As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
As Mozart specialist Ulrich Konrad was able to prove in 2020, the version of Wolfgang Amadeus Mozart's “Masonic Funeral Music” that is widely in use today does not stem from the composer himself. Rath...
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- Instrumental Part: Violin 2 (Urtext)
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