Urtext Edition
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Urtext)
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Urtext)
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Continuo (Urtext)
- G. Henle Verlag
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Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky's famous patroness. Most o...
Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky's famous patroness. Most o...
- Violin, Cello and Piano
- Score and Parts (Urtext)
- G. Henle Verlag
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Bach's Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach's hand - yet the source does not give a composer. Thus its a...
Bach's Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach's hand - yet the source does not give a composer. Thus its a...
- Flute, Violin and Continuo
- Score and Parts (Urtext)
- G. Henle Verlag
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As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the 'Passacaglia' movement corresponds to...
As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the 'Passacaglia' movement corresponds to...
- Violin, Cello and Piano
- Score and Parts (Urtext)
- Pascal Rogé
- G. Henle Verlag
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
ships within 2-5 working days
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
ships within 2-5 working days
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Double Bass 1 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Double Bass 2 (Urtext)
- Breitkopf & Härtel KG
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ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Cello 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Cello 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Violin 3 (Urtext)
- Breitkopf & Härtel KG
-
ships within 2-5 working days
ships within 2-5 working days
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Violin 4 (Urtext)
- Breitkopf & Härtel KG
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In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
- Chamber Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
ships within 2-4 working days
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...
- Chamber Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Bärenreiter Verlag
-
-
ships within 2-4 working days
ships within 2-4 working days
- Chamber Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
-
ships within 2-4 working days
- Also available for download!
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