Urtext Edition

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...