Urtext Edition

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...

The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...

The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...

Soli,GCh,Orch 20'

Soli,GCh,Orch 20'

Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.

Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

I had just grown particularly fond of the piece, although it is hardly something for the so-called audience; but I loved it ... Mendelssohn wrote about his setting of the 114th Psalm.

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe [Soli,GCh,Orch] 160' Soli: SSAATTBBB - Chor: SSAATTBB - 2.2.2.2. - 4.2.3.0.Oph - Pk - Org - Str If in the anniversary year 2009 Mendelssohn's 'Elija...

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.

150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.