Urtext Edition
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
Striving for the highest of art - with these words Franz Schubert had announced his Mass in A flat major in 1828. .
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Continuo (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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- Soloists (SATB), Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Violin 1 (Urtext)
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Oboe, String Orchestra and Continuo
- Instrumental Part: Violin 2 (Urtext)
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The series RUNDELs Little Wind Band Music (RUNDELs Kleine Blasmusik): Playing music in small ensembles is the most original form of wind music and is currently gaining more and more importance. Ensemb...
The series RUNDELs Little Wind Band Music (RUNDELs Kleine Blasmusik): Playing music in small ensembles is the most original form of wind music and is currently gaining more and more importance. Ensemb...
- Concert Band
- Score and Parts (Urtext)
- Musikverlag Rundel
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Immerse yourself in the rich musical world of the Baroque: This premium Urtext edition from the renowned Bärenreiter Verlag brings together all the sonatas for alto (treble) recorder and basso continu...
Immerse yourself in the rich musical world of the Baroque: This premium Urtext edition from the renowned Bärenreiter Verlag brings together all the sonatas for alto (treble) recorder and basso continu...
- Alto Recorder and Continuo
- Score and Parts (Urtext)
- Bärenreiter Verlag
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Johann Sebastian Bach’s Six Suites for Solo Cello (BWV 1007–1012) represent the undisputed pinnacle of the solo repertoire—a timeless masterpiece filled with emotional depth, harmonic richness, and pu...
Johann Sebastian Bach’s Six Suites for Solo Cello (BWV 1007–1012) represent the undisputed pinnacle of the solo repertoire—a timeless masterpiece filled with emotional depth, harmonic richness, and pu...
- Cello
- Sheet Music (Facsimile, Urtext)
- Harris D. Woodfull
- Bärenreiter Verlag
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Viola 1 (Urtext)
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The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
The cantata Welt adieu, ich bin dein müde is intended for the 24th Sunday after Trinitatis and thus already the end of the church year. Based on the scribes of the handwritten set of parts, the editor...
- Soloists, Mixed Choir and Orchestra
- Instrumental Part: Viola 2 (Urtext)
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Instrumental Part: Continuo (Urtext)
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Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
- 2 Cellos, 2 Violins, Viola and Continuo
- Instrumental Part: Continuo (Urtext)
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Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
- 2 Cellos, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Urtext)
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Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
- 2 Cellos, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Urtext)
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Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...
- 2 Cellos, 2 Violins, Viola and Continuo
- Instrumental Part: Instrument (Bass Clef) (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Violin 1 (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Violin 2 (Urtext)
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Viola (Urtext) Download
- Bärenreiter Verlag
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Cello (Download) (Urtext)
- Bärenreiter Verlag
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immediately available
Download immediately after ordering - Instant download
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