Urtext Edition
The middle work in the three late chamber music sonatas was composed in spring 1915, directly after the cello sonata (HN 633). The innovative combination of sounds - a wind instrument, a stringed inst...
The middle work in the three late chamber music sonatas was composed in spring 1915, directly after the cello sonata (HN 633). The innovative combination of sounds - a wind instrument, a stringed inst...
- Flute, Viola and Harp
- Score and Parts (Urtext)
- G. Henle Verlag
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Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...
Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...
- Flute, Clarinet, Xylophone, 2 Pianos, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Violin 1 (Urtext)
- G. Henle Verlag
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Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...
Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...
- Flute, Clarinet, Xylophone, 2 Pianos, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Violin 2 (Urtext)
- G. Henle Verlag
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Experience chamber music at its finest with the enchanting "Concertini" for piano (or harpsichord), two violins, and cello. This work invites you into an exquisite musical dialogue, captivating listen...
Experience chamber music at its finest with the enchanting "Concertini" for piano (or harpsichord), two violins, and cello. This work invites you into an exquisite musical dialogue, captivating listen...
- 2 Violins, Cello and Piano
- Instrumental Part: Violin 1 (Urtext)
- G. Henle Verlag
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Immerse yourself in the captivating world of chamber music: The enchanting "Concertini for Piano (Harpsichord) with two Violins and Violoncello" offer a rich musical experience for discerning ensemble...
Immerse yourself in the captivating world of chamber music: The enchanting "Concertini for Piano (Harpsichord) with two Violins and Violoncello" offer a rich musical experience for discerning ensemble...
- 2 Violins, Cello and Piano
- Instrumental Part: Violin 2 (Urtext)
- G. Henle Verlag
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Immerse yourself in the radiant sound world of the Viennese Classical era with Joseph Haydn's festive Concerto in C major Hob. XVIII:10 for organ (or harpsichord) and string instruments. This charming...
Immerse yourself in the radiant sound world of the Viennese Classical era with Joseph Haydn's festive Concerto in C major Hob. XVIII:10 for organ (or harpsichord) and string instruments. This charming...
- Organ and Strings
- Instrumental Part: Violin 1 (Urtext)
- G. Henle Verlag
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Experience the festive splendor and timeless elegance of Viennese Classicism: Joseph Haydn’s Concerto in C major Hob. XVIII:10 for organ (or harpsichord) and strings captivates musicians and audiences...
Experience the festive splendor and timeless elegance of Viennese Classicism: Joseph Haydn’s Concerto in C major Hob. XVIII:10 for organ (or harpsichord) and strings captivates musicians and audiences...
- Organ and Strings
- Instrumental Part: Violin 2 (Urtext)
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 1 (Urtext)
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Violin 2 (Urtext)
- G. Henle Verlag
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Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
Bach’s harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasie...
- Harpsichord, 2 Violins, Viola and Continuo
- Instrumental Part: Continuo (Urtext)
- G. Henle Verlag
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Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky's famous patroness. Most o...
Debussy composed this work in summer 1880 in Fiesole, Italy, when he was 18 years old. At the time he was the musical travelling companion of Nadescha von Meck, Tschaikowsky's famous patroness. Most o...
- Violin, Cello and Piano
- Score and Parts (Urtext)
- G. Henle Verlag
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Bach's Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach's hand - yet the source does not give a composer. Thus its a...
Bach's Trio Sonata BWV 1038 for Flute, Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach's hand - yet the source does not give a composer. Thus its a...
- Flute, Violin and Continuo
- Score and Parts (Urtext)
- G. Henle Verlag
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As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the 'Passacaglia' movement corresponds to...
As with all of his mature chamber music works Ravel also emerges as an innovator of traditional forms and techniques in his piano trio, composed in 1914. Thus the 'Passacaglia' movement corresponds to...
- Violin, Cello and Piano
- Score and Parts (Urtext)
- Pascal Rogé
- G. Henle Verlag
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel
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The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
- Soloists (SATB), 2 Violins, 2 Violas and Continuo
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
Die Konzerte a-moll, B-dur und A-dur entstanden zwischen 1750 und 1753 zunächst als Violoncellokonzerte. Sie zählen damit zu den ältesten Konzerten für solistisches Violoncello in Deutschland überhaup...
- Cello, Strings and Continuo
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Double Bass 1 (Urtext)
- Breitkopf & Härtel
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Double Bass 2 (Urtext)
- Breitkopf & Härtel
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Viola 1 (Urtext)
- Breitkopf & Härtel
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ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Viola 2 (Urtext)
- Breitkopf & Härtel
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ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Cello 1 (Urtext)
- Breitkopf & Härtel
-
ships within 2-5 working days
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Part: Cello 2 (Urtext)
- Breitkopf & Härtel
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