Urtext Edition
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
- Instrumental Part: Continuo (Urtext)
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The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs (SATB), Choir (Unison) and Orchestra
- Choral Part Unison (Urtext)
- Carus-Verlag
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Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...
Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...
- Soloists (SATB) and Mixed Choir (SATB)
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran solo, Tenor solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Orgel - Urtextausgabe
Sopran solo, Tenor solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Orgel - Urtextausgabe
- Soloists, Mixed Choir (SATB), Oboe, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran (Chorstimme) - Einzelstimme
Sopran (Chorstimme) - Einzelstimme
- Mixed Choir (SATB)
- Single part choir soprano Download (Urtext)
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- Mixed Choir (SATB)
- Single part choir alto Download (Urtext)
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- Mixed Choir (SATB)
- Single part choir tenor Download (Urtext)
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- Mixed Choir (SATB)
- Single part choir bass download (Urtext)
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Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
Kantate zum 15. Sonntag nach Trinitatis. Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.
- High Voice, Trumpet, 2 Violins, Viola and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo
Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo
- Low Voice, Mixed Choir (SATB), Oboe, Violin and Continuo
- Instrumental Parts: Violin & Flute (Urtext)
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Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
- Soloists, Mixed Choir, Strings and Continuo
- Instrumental Parts: Organ & Harpsichord (Urtext)
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Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
- Soloists, Mixed Choir, Strings and Continuo
- Instrumental Parts: Cello and Violone (Urtext)
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- 4 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Basso continuo - Urtextausgabe
Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Basso continuo - Urtextausgabe
- Soloists, Mixed Choir (SATB), Oboe, Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran solo, Alt solo, Alt solo, Tenor solo, Bass solo, Bass solo, Gemischter Chor (SAATBB), Oboe 1, Oboe 2, Streicher, Basso continuo - Urtextausgabe
Sopran solo, Alt solo, Alt solo, Tenor solo, Bass solo, Bass solo, Gemischter Chor (SAATBB), Oboe 1, Oboe 2, Streicher, Basso continuo - Urtextausgabe
- Soloists, Mixed Choir (SAATBB), 2 Oboes, Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Alt solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Basso continuo - Urtextausgabe
Alt solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Basso continuo - Urtextausgabe
- Soloists, Mixed Choir (SATB), Oboe, Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran solo 1, Sopran solo 2, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SSATB), Oboe 1, Oboe 2, Fagott, Streicher, Basso continuo - Urtextausgabe
Sopran solo 1, Sopran solo 2, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SSATB), Oboe 1, Oboe 2, Fagott, Streicher, Basso continuo - Urtextausgabe
- Soloists, Mixed Choir (SSATB), 2 Oboes, Bassoon, Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran solo, Tenor solo, Tenor solo, Gemischter Chor (SATTB), Blockflöte 1, Blockflöte 2, Oboe, Streicher, Basso continuo - Urtextausgabe
Sopran solo, Tenor solo, Tenor solo, Gemischter Chor (SATTB), Blockflöte 1, Blockflöte 2, Oboe, Streicher, Basso continuo - Urtextausgabe
- Soloists, Mixed Choir (SATTB), 2 Recorders, Oboe, Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
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Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Orgel - Urtextausgabe
Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Oboe, Streicher, Orgel - Urtextausgabe
- Soloists, Mixed Choir (SATB), Oboe, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Urtext)
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- 3 Mixed Choirs, 3 Trombones, Strings and Continuo
- Instrumental Parts: Double Bass & Violone (Urtext)
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- Organ, 2 Violins, Cello and Double Bass
- Instrumental Parts: Cello and Double Bass (Urtext)
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- Organ, 2 Violins, Cello and Double Bass
- Instrumental Parts: Cello and Double Bass (Urtext)
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