Urtext Edition
Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...
Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...
Tod und Verklärung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this ge...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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The famous Valse triste grew out of the incidental music to Arvid Järnefelts drama Kuolema (Death). After the first staged performances in December 1903 at the Finnish National Theater in Helsinki, Si...
The famous Valse triste grew out of the incidental music to Arvid Järnefelts drama Kuolema (Death). After the first staged performances in December 1903 at the Finnish National Theater in Helsinki, Si...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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The famous Valse triste grew out of the incidental music to Arvid Järnefelts drama Kuolema (Death). After the first staged performances in December 1903 at the Finnish National Theater in Helsinki, Si...
The famous Valse triste grew out of the incidental music to Arvid Järnefelts drama Kuolema (Death). After the first staged performances in December 1903 at the Finnish National Theater in Helsinki, Si...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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Indispensable repertoire work; first critical version; two versions of the ballad included in score and piano reduction Carl Reinecke was interested in exploring music and not just "snacking" on it. I...
Indispensable repertoire work; first critical version; two versions of the ballad included in score and piano reduction Carl Reinecke was interested in exploring music and not just "snacking" on it. I...
- Flute and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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Indispensable repertoire work; first critical version; two versions of the ballad included in score and piano reduction Carl Reinecke was interested in exploring music and not just "snacking" on it. I...
Indispensable repertoire work; first critical version; two versions of the ballad included in score and piano reduction Carl Reinecke was interested in exploring music and not just "snacking" on it. I...
- Flute and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
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“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
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When Beethoven visited the director of music at the cathedral in Linz, Franz Xaver Glöggl, in autumn 1812, the latter asked his guest to 'compose socalled Equali for 4 trombones for All Souls' Day 2 N...
When Beethoven visited the director of music at the cathedral in Linz, Franz Xaver Glöggl, in autumn 1812, the latter asked his guest to 'compose socalled Equali for 4 trombones for All Souls' Day 2 N...
- Trombone Quartet
- Score and Parts (Urtext)
- G. Henle Verlag
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- String Quintet (2 Violins, Cello, Double Bass and Viola)
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
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- String Quintet (2 Violins, Cello, Double Bass and Viola)
- Instrumental Part: Violin 2 (Urtext)
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- String Quartet (2 Violins, Viola and Cello)
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
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- Also available for download!
- String Quartet (2 Violins, Viola and Cello)
- Instrumental Part: Violin 2 (Urtext)
- Bärenreiter Verlag
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- Also available for download!
- String Quartet (2 Violins, Viola and Cello)
- Instrumental Part: Viola (Download) (Urtext)
- Bärenreiter Verlag
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Bring the awakening of nature to vivid musical life: With Antonio Vivaldi's world-famous masterpiece "Spring" from "The Four Seasons" (E major Op. 8 No. 1 RV 269), you bring timeless Baroque music of...
Bring the awakening of nature to vivid musical life: With Antonio Vivaldi's world-famous masterpiece "Spring" from "The Four Seasons" (E major Op. 8 No. 1 RV 269), you bring timeless Baroque music of...
- Violin, Strings and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Edition Peters
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Mozart's Kleine Nachtmusik' is certainly one of the most popular works of so-called 'classical music'. Although his manuscript is not completely free of corrections, it is nevertheless undoubtedly one...
Mozart's Kleine Nachtmusik' is certainly one of the most popular works of so-called 'classical music'. Although his manuscript is not completely free of corrections, it is nevertheless undoubtedly one...
- String Quintet (2 Violins, Cello, Double Bass and Viola)
- Instrumental Part: Violin 1 (Urtext)
- G. Henle Verlag
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Mozart's Kleine Nachtmusik' is certainly one of the most popular works of so-called 'classical music'. Although his manuscript is not completely free of corrections, it is nevertheless undoubtedly one...
Mozart's Kleine Nachtmusik' is certainly one of the most popular works of so-called 'classical music'. Although his manuscript is not completely free of corrections, it is nevertheless undoubtedly one...
- String Quintet (2 Violins, Cello, Double Bass and Viola)
- Instrumental Part: Violin 2 (Urtext)
- G. Henle Verlag
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Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
- String Instrument and Continuo
- Instrumental Part: Violin 1 (Urtext)
- Breitkopf & Härtel
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Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
Ein sensationeller Fund beim Revidieren: BWV 1067 in der a-moll-Urfassung für Violine
- String Instrument and Continuo
- Instrumental Part: Violin 2 (Urtext)
- Breitkopf & Härtel
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
- String Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
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> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
> Detailed Foreword by Katerina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng) > Including 'Vi-de' passages from the autograph score Dvorák's 'Serenade in E major' for string orchestra...
- String Orchestra
- Instrumental Part: Violin 2 (Urtext)
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