Urtext Edition
Urtext (Vervollständigung Süßmayr, Neuausgabe nach den Quellen) N
Urtext (Vervollständigung Süßmayr, Neuausgabe nach den Quellen) N
- Soloists, Mixed Choir, Organ and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Edition Peters
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für Soli (SATB), gem. Chor und Orchester
für Soli (SATB), gem. Chor und Orchester
- Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Instrumental Part: Cello and Double Bass (Urtext)
- Edition Peters
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The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...
- Soloists, Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
- Mixed Choir (SSATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
- Solos, Mixed choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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Soli,GCh,Orch 20'
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
Diethard Hellmann based his careful reconstruction on stylistic comparisons with other Bach scores.
- Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
150 years of edition history had to pass before the Mass in B minor finally appeared in a musical text that, as far as possible, really goes back to Johann Sebastian Bach's 'Fassung letzter Hand'.
- Soloist, Mixed Choir (SATB) and Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
- Breitkopf & Härtel KG
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With luck and good fortune, the complete manuscript of the Tansman Sonatine was unearthed in two different locations, ten years apart. In studying the composition, composed for guitar great Andres Seg...
With luck and good fortune, the complete manuscript of the Tansman Sonatine was unearthed in two different locations, ten years apart. In studying the composition, composed for guitar great Andres Seg...
- 2 Classical Guitars
- Sheet Music and CD (Urtext)
- Berben Edizioni Musicali
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ships within 3-6 working days
> This favourite with cellists now also available in Henle Urtext > Single edition from HN669 > With marked and unmarked string part > Fingering piano: Klaus Schilde > Fingering violoncello: Claus Kan...
> This favourite with cellists now also available in Henle Urtext > Single edition from HN669 > With marked and unmarked string part > Fingering piano: Klaus Schilde > Fingering violoncello: Claus Kan...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- Klaus Schilde
- G. Henle Verlag
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in stock
ships within 1-2 working days
Inhalt: Howard, Leslie, ed Isserlis, Steven, ed Élégie (with optional parts for harp and harmonium) Zweite Elegi oubliée La lugubre gondola Die Zelle in Nonnenwerth Consolations (with enchainement O d...
Inhalt: Howard, Leslie, ed Isserlis, Steven, ed Élégie (with optional parts for harp and harmonium) Zweite Elegi oubliée La lugubre gondola Die Zelle in Nonnenwerth Consolations (with enchainement O d...
- Cello and Piano
- Piano Score and Part(s) (Urtext)
- The Hardie Press
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ships within 2-4 weeks
Fagott, Klavier - Klavierauszug; Urtextausgabe
Fagott, Klavier - Klavierauszug; Urtextausgabe
- Bassoon and Piano
- Piano reduction with part(s) (Urtext)
- Michael Töpel
- Bärenreiter Verlag
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in stock
ships within 1-2 working days - Also available for download!
Mozarts Flötenkonzert KV 314 (285d) ist vermutlich auf der Grundlage des Oboenkonzerts KV 314 (271k) entstanden. Den entscheidenden Anstoss für die Bearbeitung erhielt Mozart 1778 wohl durch einen Auf...
Mozarts Flötenkonzert KV 314 (285d) ist vermutlich auf der Grundlage des Oboenkonzerts KV 314 (271k) entstanden. Den entscheidenden Anstoss für die Bearbeitung erhielt Mozart 1778 wohl durch einen Auf...
- Flute and Piano
- Piano reduction with part(s) (Urtext)
- Breitkopf & Härtel KG
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Orchestermaterial nach der neuen Beethoven-Gesamtausgabe des G. Henle Verlags. Alle Dirigierpartituren und Orchesterstimmen sowie die Klavierauszüge und Chorpartituren sind exklusiv über Breitkopf & H...
Orchestermaterial nach der neuen Beethoven-Gesamtausgabe des G. Henle Verlags. Alle Dirigierpartituren und Orchesterstimmen sowie die Klavierauszüge und Chorpartituren sind exklusiv über Breitkopf & H...
- Mixed Choir (SATB) and 2 Pianos
- Piano reduction with part(s) (Urtext)
- Jan Philip Schulze
- Breitkopf & Härtel KG
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Violin 1 (Urtext) Download
- Bärenreiter Verlag
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For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can gladly write you a...
- Trumpet, Piano, 2 Violins, Viola, Cello and Double Bass
- Instrumental Part: Violin 2 (Urtext) Download
- Bärenreiter Verlag
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immediately available
Download immediately after ordering - Instant download
- 2 Violins, Viola, Cello, Double Bass and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
- 2 Violins, Viola, Cello, Double Bass and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
- Oboe, Trumpet, Strings and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- 3 Violins, Strings and Continuo
- Instrumental Part: Violin 3 Solo (Urtext)
- Bärenreiter Verlag
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- 3 Violins, Strings and Continuo
- Instrumental Part: Violin 1 Solo (Urtext)
- Bärenreiter Verlag
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