Urtext Edition
Robert Schumanns 'Phantasiestücke' op. 73 entstammen dem Jahr 1849. Sie wurden bereits zu Lebzeiten des Komponisten rasch populär. Durch die Urtext-Neuausgabe von Joachim Draheim ist das letzte bedeut...
Robert Schumanns 'Phantasiestücke' op. 73 entstammen dem Jahr 1849. Sie wurden bereits zu Lebzeiten des Komponisten rasch populär. Durch die Urtext-Neuausgabe von Joachim Draheim ist das letzte bedeut...
- Clarinet in A and Piano
- Piano Score and Part(s) (Urtext)
- Breitkopf & Härtel KG
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Carl Nielsen's Fantasiestück for clarinet and piano is a youthful work. Nielsen was a member of the military band in Odense, Denmark. Only between 16 and 18 years old at the time, he demonstrated with...
Carl Nielsen's Fantasiestück for clarinet and piano is a youthful work. Nielsen was a member of the military band in Odense, Denmark. Only between 16 and 18 years old at the time, he demonstrated with...
- Clarinet and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express...
It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express...
- Clarinet and Piano
- Piano Score and Part(s) (Urtext)
- G. Henle Verlag
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Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the pa...
Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the pa...
- Oboe and Piano
- Piano reduction with part(s) (Urtext)
- Breitkopf & Härtel KG
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Handel's Concerto in F major (HWV 331) was long considered a variant of two movements from the three suites of his 'Water Music' (HWV 348-350). Recently our understanding of the 'Water Music' had to b...
Handel's Concerto in F major (HWV 331) was long considered a variant of two movements from the three suites of his 'Water Music' (HWV 348-350). Recently our understanding of the 'Water Music' had to b...
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
- Orchestra
- Instrumental Part: Violin 1 (Download) (Urtext)
- Bärenreiter Verlag
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After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...
- Orchestra
- Instrumental Part: Violin 2 (Download) (Urtext)
- Bärenreiter Verlag
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immediately available
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Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...
Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais:...
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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Almost ten years after Haydn began his creative period at Esterházy Palace, he wrote his Symphony in B flat major Hob around 1774/75. I:68. At this time, the opera business at the princely court was i...
Almost ten years after Haydn began his creative period at Esterházy Palace, he wrote his Symphony in B flat major Hob around 1774/75. I:68. At this time, the opera business at the princely court was i...
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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In the years 1775 to 1776, about ten years after Haydn had taken up his work at Esterházy Palace, he composed his Symphony in B flat major Hob. I:66. At this time, the opera business at the princely c...
In the years 1775 to 1776, about ten years after Haydn had taken up his work at Esterházy Palace, he composed his Symphony in B flat major Hob. I:66. At this time, the opera business at the princely c...
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
Beethoven composed the ballet music 'Die Geschöpfe des Prometheus' during 1800-01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet wa...
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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Orchesterwerke - Sinfonieorchester - Sinfonieorchester ohne Soloinstrument(e)
Orchesterwerke - Sinfonieorchester - Sinfonieorchester ohne Soloinstrument(e)
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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Urtext der Haydn-Gesamtausgabe. Violoncello/ Kontrabass - Einzelstimme; Urtextausgabe
Urtext der Haydn-Gesamtausgabe. Violoncello/ Kontrabass - Einzelstimme; Urtextausgabe
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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Urtext der Haydn-Gesamtausgabe. Violoncello/ Kontrabass - Einzelstimme; Urtextausgabe
Urtext der Haydn-Gesamtausgabe. Violoncello/ Kontrabass - Einzelstimme; Urtextausgabe
- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Trumpet and Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Part: Violin 1 Solo (Urtext)
- Bärenreiter Verlag
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- Orchestra
- Instrumental Part: Violin 2 Solo (Urtext)
- Bärenreiter Verlag
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