Urtext Edition
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur 'Musik für Saiteninstrumente, Schlagzeug und Celesta'. Bartók gelang dabei eines der großen Meisterwerke des...
- String Instrument, Drums, Timpani, Harp, Celesta and Piano
- Instrumental Parts: Timpani & Drums (Urtext)
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The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
The Missa in c was so dear to Mozart's heart that he cited it as 'proof of the reality of my promise' to 'heyrate' the beloved Constanze and complete the only half-finished mass. At the same time, on...
- 4 Soloists, 2 Mixed Choirs, Organ and Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
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Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...
Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...
- 4 Soloists, 2 Mixed Choirs (SATB) and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo
Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo
- 4 Mixed Choirs (SATB) and Continuo
- Instrumental Parts: Organ & Continuo (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Part: Viola da Gamba 1 (Urtext)
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Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
- Instrumental Part: Viola da Gamba 2 (Urtext)
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Lesungsmusik zur Todesstunde Jesu. Continuus Violoncello, Basso continuo - Einzelstimme
Lesungsmusik zur Todesstunde Jesu. Continuus Violoncello, Basso continuo - Einzelstimme
- 5 Soloists, Mixed Choir (SATB), Strings and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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Psalm 136 aus Psalmen Davids für 2 Favoritchöre (SSAT+T[A], 3 Pos), Capellchor und Instrumente. Urtext der Neuen Schütz-Ausgabe. Sopran solo (2), Alt solo, Tenor solo (2), Trompete (3), Posaune (3), P...
Psalm 136 aus Psalmen Davids für 2 Favoritchöre (SSAT+T[A], 3 Pos), Capellchor und Instrumente. Urtext der Neuen Schütz-Ausgabe. Sopran solo (2), Alt solo, Tenor solo (2), Trompete (3), Posaune (3), P...
- 5 Soloists, Mixed Choir (SATB), 3 Trumpets, 3 Trombones, Timpani and Continuo
- Single Part 3 Trumpets and Timpani (Urtext)
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Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
- 2 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Organ & Continuo (Urtext)
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Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
- 2 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Viola & Trombone 2 (Urtext)
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Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
Psalm 8 aus Psalmen Davids für 2 Favoritchöre, 5stimmige Instrumental- oder Vokal-Capella ad lib. und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (2)-SATB+SATB, Violine 1/ Trompet...
- 2 Mixed Choirs (SATB), Strings and Continuo
- Instrumental Parts: Cello and Trombone 3 (Urtext)
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- 3 Mixed Choirs, 3 Trombones, Strings and Continuo
- Instrumental Parts: Cello and Continuo (Urtext)
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- 4 Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- 4 Soloists, Mixed Choir (SATB), 2 Trumpets, 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- Mixed Choir (SATB), Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Offertorium. Violoncello/ Kontrabass/ Fagott - Einzelstimme
Offertorium. Violoncello/ Kontrabass/ Fagott - Einzelstimme
- High Voice, Mixed Choir (SATB), Trumpet, Timpani, 2 Violins, Cello and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- Soloists, Mixed Choir (SATB), 2 Violins, Cello and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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- Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
- Instrumental Parts: Cello, Double Bass and Bassoon (Urtext)
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Als Telemann 1725/26 in Hamburg den "Harmonischen Gottesdienst", seinen ersten gedruckten Kantatenjahrgang, herausgab, war er bereits einer der bedeutendsten Kantatenkomponisten seiner Zeit. Die 72 So...
Als Telemann 1725/26 in Hamburg den "Harmonischen Gottesdienst", seinen ersten gedruckten Kantatenjahrgang, herausgab, war er bereits einer der bedeutendsten Kantatenkomponisten seiner Zeit. Die 72 So...
- High Voice, Instrument and Continuo
- Piano Score and Part(s) Download (Urtext)
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- 2 Voices (High), 2 Violins and Continuo
- Instrumental Parts: Continuo and Cello (Urtext)
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Kantate zum Pfingstfest (1. Pfingsttag) - Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre. Soli ATB, Coro SATB, 3 Tr...
Kantate zum Pfingstfest (1. Pfingsttag) - Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre. Soli ATB, Coro SATB, 3 Tr...
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Instrumental Parts: Cello and Double Bass (Urtext) Download
- Carus-Verlag
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Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...
Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...
- Soloists, Mixed Choir (SATB), Bassoon, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Urtext) Download
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'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Set of Parts - Wind Instruments and Timpani (Urtext) Download
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