Urtext Edition

The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Frie...

The sixth volume to appear in the new Chopin edition is the Impromptus, edited by John Irvine. The most famous of these pieces is , of course, the so-called 'Fantaisie-Impromptu'.Because Chopin suppre...

The Complete Chopin - A New Critical Edition from Edition Peters is firmly established as the most important ongoing scholarly edition of Chopin's music and is a must for any discerning pianist. The w...

The composer and pedagogue Adolph von Henselt (1814–1889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zve...

The composer and pedagogue Adolph von Henselt (1814–1889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zve...

Kadenzen von Mozart

Kadenzen von Zacharias, Christian

Schumann wrote to Clara whilst she was on tour in Vienna during early 1838, on the subject of his latest work Scenes of Childhood : 'And so that I don't forget what I have just composed - It was like...

This new separate volume has practical fold-out pages, allowing for convenient page-turns.

Schubert’s Ständchen (Serenade) on Rellstab’s poem “Leise flehen meine Lieder” (Gently My Songs Entreat) not only numbers among the most well-known art songs, but is still a real hit today in Liszt’s...

Sonata quasi una fantasia' was the title given to it by Beethoven, and yet the world of music knows it as the 'Moonlight Sonata' - an epithet that was already around during the composer's lifetime. 'T...

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his 'Wagner transcriptions' had 'only served as modest propaganda for Wagner's noble genius, using the meagre pos...

Two copies necessary for performance. Shortly after a rather unsuccessful performance of his Piano Concerto no. 1, Johannes Brahms wrote to Joseph Joachim in 1859: '... a second one will sound differe...

With this rewarding 'sampler,' beginners can enjoy a stimulating introduction to the standard canon of classical piano literature. The journey begins with little pieces by Daniel Gottlob Türk and comp...

Franz Schubert's piano works belong to pianists' core repertoire and of course, to Henle's, too. Our catalogue contains almost all of Schubert's piano compositions. This volume contains the piano work...

These six dances form the final culmination of Bartók's 'Mikrokosmos' (HN1408-1410), that work of the century comprising over 150 pieces. He dedicated this grouping, collected under its own title, to...

The two Rondos op. 51 were written independently of one another and only later consolidated into a single opus by Beethoven's publisher. The first of these works from 1797 quickly became popular on ac...

This composition published in 1802 constitutes a completely separate concert piece from Opus 51 no. 1. Compared to the first Rondo (op. 51 no. 1), the second is considerably longer and with a markedly...

Janáček's poetic cycle 'On an overgrown path' is surely among his most popular piano works. Its evocative musical language will draw every hearer under its spell. Listeners will not be able to discern...

The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in 'pure' Urtext, free from added fin...

Whenever one speaks about Beethoven's piano music, it is usually his sonatas that come to mind. However, his other works for this instrument are of no less significance. Thus it is not a coincidence t...

This rondo for piano was composed in 1794/95 and has become known primarily by its sobriquet "The rage over the lost penny". However, this did not originate with the composer himself, but rather added...

The Fifth Hungarian Rhapsody, published in 1853, emerged from several earlier versions. The double character indicated in the sobriquet “Héroïde élégiaque” is based on the two contrary themes: a “hero...