Urtext Edition
Beethovens drittes Klavierkonzert ist das einzige, zu dem kein authentisches Manuskript der Solostimme überliefert ist. Das Autograph der Partitur ist erhalten, wobei hier jedoch Artikulations-, Dynam...
Beethovens drittes Klavierkonzert ist das einzige, zu dem kein authentisches Manuskript der Solostimme überliefert ist. Das Autograph der Partitur ist erhalten, wobei hier jedoch Artikulations-, Dynam...
- Piano and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Orchester - Partitur; Urtextausgabe
Orchester - Partitur; Urtextausgabe
- Orchestra
- Score (Urtext)
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In the 1960s, long after Ravel’s death, the musical text of the then available Durand edition of Ravel’s Piano Concerto in G major underwent various changes. Although it is unknown who authorised thes...
In the 1960s, long after Ravel’s death, the musical text of the then available Durand edition of Ravel’s Piano Concerto in G major underwent various changes. Although it is unknown who authorised thes...
- Piano and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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- Orchestra
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Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...
Mendelssohn's Violin Concerto op. 64 is a central work of the 19th century, which on the one hand is still associated with the classical style of a Beethoven, but on the other also points the way to t...
- Violin and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...
With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...
- High Voice, Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Carus-Verlag
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The "Gesang der Parzen" op. 89 was composed by Johannes Brahms in the summer of 1882. In his last work for choir and orchestra, he set a section from the drama "Iphigenia in Tauris" by Johann Wolfgang...
The "Gesang der Parzen" op. 89 was composed by Johannes Brahms in the summer of 1882. In his last work for choir and orchestra, he set a section from the drama "Iphigenia in Tauris" by Johann Wolfgang...
- Mixed Choir (SAATBB) and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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New edition based on original sources by Reinhold Kubik
New edition based on original sources by Reinhold Kubik
- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Edition Peters
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Written for the Ballets Russes to accompany choreography by Nijinsky, the intriguing mise en scene is, as Debussy described in a letter to Paris newspaper Le Matin: 'There is a park, a tennis court; t...
Written for the Ballets Russes to accompany choreography by Nijinsky, the intriguing mise en scene is, as Debussy described in a letter to Paris newspaper Le Matin: 'There is a park, a tennis court; t...
- Orchestra
- Score (Urtext)
- Edition Peters
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- Violin and Orchestra
- Score (Urtext)
- Edition Peters
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Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...
Johann Sebastian Bach’s harpsichord concertos, which are hugely popular today, once offered the composer a real field for experimentation. Bach often used pre-existing material. Thus, there is much to...
- Piano and Orchestra
- Score (Urtext)
- G. Henle Verlag
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It would be hard to imagine today’s concert repertoire without the harpsichord concertos of Johann Sebastian Bach. It is not known whether the A-major Concerto BWV 1055, like some of the other harpsic...
It would be hard to imagine today’s concert repertoire without the harpsichord concertos of Johann Sebastian Bach. It is not known whether the A-major Concerto BWV 1055, like some of the other harpsic...
- Harpsichord and Orchestra
- Score (Urtext)
- G. Henle Verlag
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We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...
We know very little about Mozart’s Divertimento in D major K. 334, which is still popular today: an autograph has not been preserved, and in the two editions published after Mozart’s death there are i...
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- G. Henle Verlag
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This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...
This Henle edition is full of mistakes! We can freely admit this, because the odd notes here all come from Mozart himself – he consciously inserted them into his Musical Joke. In this amusing and misc...
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- G. Henle Verlag
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In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertiz...
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertiz...
- Piano and Orchestra
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- G. Henle Verlag
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Hummels 'Potpourri' for Violoncello and Orchestra op. 95 is part of every violoncello player's core repertoire, especially in its shortened version, the 'Fantasy'. Sprinkled with quotes from operas by...
Hummels 'Potpourri' for Violoncello and Orchestra op. 95 is part of every violoncello player's core repertoire, especially in its shortened version, the 'Fantasy'. Sprinkled with quotes from operas by...
- Cello and Orchestra
- Score (Urtext)
- G. Henle Verlag
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Since the 1830s, numerous composers have experimented with hybrid forms combining elements of the symphony, concerto and free fantasia. With his Second Piano Concerto, Liszt succeeded in finding an or...
Since the 1830s, numerous composers have experimented with hybrid forms combining elements of the symphony, concerto and free fantasia. With his Second Piano Concerto, Liszt succeeded in finding an or...
- Piano and Orchestra
- Piano Reduction (Urtext)
- Emanuel Ax Heiko Stralendorff
- G. Henle Verlag
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Geminiani’s Op. 3 Concertos have come down to us in no fewer than four different versions. The first is the one published by Walsh in 1732. The Amsterdam music publisher Michel-Charles Le Cène publish...
Geminiani’s Op. 3 Concertos have come down to us in no fewer than four different versions. The first is the one published by Walsh in 1732. The Amsterdam music publisher Michel-Charles Le Cène publish...
- Orchestra
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- UT Orpheus Edizioni
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Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.
Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.
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Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.
Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.
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Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The piano reduction (HN 610) is av...
Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The piano reduction (HN 610) is av...
- Violin, Cello, Piano and Orchestra
- Score (Urtext)
- Breitkopf & Härtel KG
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Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The edition for violin and piano (...
Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The edition for violin and piano (...
- Violin and Orchestra
- Score (Urtext)
- Breitkopf & Härtel KG
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Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.
Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.
- Orchestra
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- Breitkopf & Härtel KG
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