Women's Choir a capella

The Grammy-winning singer Kelly Clarkson scored big with an elegant, pitch-perfect and rousing rendition of The Star-Spangled Banner at Super Bowl XLVI with choral back-up provided by the Indianapolis...

The Grammy-winning singer Kelly Clarkson scored big with an elegant, pitch-perfect and rousing rendition of The Star-Spangled Banner at Super Bowl XLVI with choral back-up provided by the Indianapolis...

From the Jean Ashworth Bartle Choral Series for treble voices: quality music for young singers. This beautiful canon was written for SAB. Bartle has moved the bass line up an octave for the second sop...

For a more advanced children's choir This piece, ' s most appropriate as a processional before a concert. It would also be effective if choreographed with members of the choir being actively involved...

More advanced SSA choirs will have a wonderful time with this one. Your choir, too, can sound like an orchestra!A fun encore selection

The perennial favorite arranged with the inimitable organ touch, for treble voices (SSA), and a cappella

Ruth Watson Henderson's arrangement of this traditional Irish blessing is perfect for your children's choir or Jr. high choir.

A lively Christmas favorite arranged by Carl Nygard, sure to be a hit!

SSAA arrangement of HMC388A fairly advanced arrangement with varied harmonies from stanza to stanza and a contrapuntal treatment of the text

This exciting new arrangement of the Adam classic is for treble voices and uses no accompaniment, a unique and original approach

In the typical style of this fine Hungarian composer, Orban challenges the four-part treble voices of a skilled university women's choir.

A moderately difficult piece for a Sunday concert

Set to English texts, Derek Holman's writing brings these three delightful German tunes that are scored for a cappella treble chorus a new freshness.

True to the sprightly percussive character of Orbans music, this work for unaccompanied treble chorus in four parts is sure to become a hit for all ages!Translation:Philomel, O Philomel, adorable and...

Composer Ralph Manuel was formerly a missionary to Brazil. This work for unaccompanied four-part treble voices is full of the energetic rhythm that we often associate with Latin America. The work is m...

American composer Kenney Potter originally arranged this Christmas anthem for mixed voices (HMC1789). Here, it is arranged for treble voices. The serene simplicity of the piece is quite effective. Try...

Looking for a work for advanced treble chorus? This a cappella work for SSAA (div) is successful in worship or concert settings alike. The thought provoking text is set to lush harmony with well-craft...

Looking for an advanced work for unaccompanied treble chorus? Try this energetic setting for your concert opener. It truly is a 'new song. '

Anne-Marie Hildebrandt is drawn to Irish melody and this piece is no exception. Here, she sets the traditional Irish tune for unaccompanied treble voices (SSA) with soprano solo. It works great with h...

Jane and Cassandra Austen wrote these poems along with their mother. They were the result of a parlor game in which each line ended in a rhyme with the word 'rose'. Canadian composer Eleanor Daley sco...

This musical elegy by composer Dan Forrest was originally set for mixed voices with optional piano. Also available for male chorus with piano, this new setting for treble voices with piano is a deeply...

The simple tune, arranged here for SSAA voices, is a traditional Lithuanian song that the composer learned as a child. The blending of traditional tonal harmony and imitative polyphony with contempora...

Dennis Shrock edited this fifteenth century piece with words (in Latin) from the Song of Solomon for the Choral Tradition Series. It is fairly easy and makes for a good concert piece.

This loose paraphrase of Psalm 51 is a showcase for your women's group (with optional solos). Medium difficult, a cappella