Women's Choir a capella

From Cotton Club Parade of 1933, the sultry, bluesy style makes this an outstanding choice. Available: SSA, ShowTrax Cassette. Performance Time: Approx. 4:25.

This setting of a poem by Emily Bronte captures the introspective and quiet mood of a cold, bleak, but beautiful winter landscape. The minor key, open fifth harmonies, quiet dynamic level, and legato...

Still wie die Nacht (Still As Night) is an enchanting, traditional art song full of intimacy, romance, and timeless elegance. Expertly crafted for three-part treble choir (SSA) and piano, this beloved...

Arranged for three-part high-voice choir with flute and piano. Piano accompaniment included. Over the years, many graduation ceremonies have been enhanced by performances of this lyric choral. Besig'...

Wales is known as the land of song and this traditional Welsh song is just one of the many beautiful, celebratory melodies that has emerged from this musical country. Paired with the harp, Wales' nati...

Plenty of repetition and easy-to-pronounce phonetic text make this Ghanian folksong a snap to learn! The parts for African drums, rattles, shakers, gourds, and bells give it an authentic African sound...

This cantata features sixteen highly-varied folk song settings, bound together in seasonal groupings to take the listener on an engaging journey through the year from Spring to Winter. The prologue im...

Higgins's setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently along...

A fresh, new, up-tempo arrangement of the popular English folk song. A great piano part drives this Jay Althouse arrangement from the opening measures. The familiar melody and superb voice leading mak...

This sweet setting of the famous Scottish folk song generously passes the melody from voice to voice, while gently stretching the traditional rhythms of the piece. Piano players will enjoy the flowing...

Take a little singing, and a little dancing, add a little 'le-lo-la,' like the happy yellow bird. This sprightly Spanish folk song is reminiscent of a singing canary, and is a delight to perform! Ligh...

Take a little singing, and a little dancing, add a little 'le-lo-la,' like the happy yellow bird. This sprightly Spanish folk song is reminiscent of a singing canary, and is a delight to perform! Ligh...

A la lata (meaning "to the tin can") is a traditional Colombian chant widely recognized across Latin America as a children's game. Ruth Morris Gray's zesty setting of the brief Spanish text boasts fou...

Bring a touch of maritime history to your concert program with this poignant reimagining of a traditional sea shanty. Far from the boisterous nature of typical work songs, this sensitive setting offer...

Setting of the familiar traditional Irish text, ‘May the road rise up to meet you’, An Irish Blessing was written in 2024 as a parting gift for a Pembroke College, Cambridge organ scholar, Andreana Ch...

Yoik is a very old tradition among the Sámi people of Scandanavia and Russia. The Sámis themselves say that the Yoik has no beginning and no end. The Yoik often describes a specific person, emotion or...

Pete Seeger's classic folksong is as moving and relevant today as when it was first written in 1955. This lyrical arrangement adds layers of voicing while retaining the song's original beauty and clar...

This melancholy Yiddish folk song was invested with a darker connotation during World War II, when it was popularly sung in the ghetto in Vilna, Lithuania. Kesselman's treatment of the song gives each...

Bobobo is a traditional dance of the Ewe people in the Volta Region of Ghana. There are many variations from village to village, and many songs may be used. A village rendition is a lively event and w...

This utterly charming and accessible three-part arrangement for treble choir progresses from unison to 2- and 3-part counterpoint. The upbeat and gently syncopated third verse of Shady Grove is clever...

Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.