Women's Choir a capella

Secular winter concert piece, medium difficulty, secondary level, SSAAlso available in SATB (HMC1707)

Parker's arrangement of the beloved Quaker folk hymn begins with a mezzo soprano solo, then progresses to some fairly tight harmony that sounds more complex than it actually is.

Another Christmas piece from the Jean Ashworth Bartle series, this is the shepherds and angels part of the story. Accompaniment calls for piano and recorder.

In this familiar lullaby from the Jean Ashworth Bartle Series, Isaac Watts compares our babes to baby Jesus in the manger

Quoting the Austrian folk carol Still, Still, Still Mark Williams scores a winner for treble choirs

Conductors of treble choirs everywhere have been waiting for this extended Johann Michael Haydn work provided in a quality edition by Martin Banner. Quite accessible, this piece works best with the us...

Recommended by master teacher Jean Ashworth Bartle, this work for three-part treble voices by Canadian composer Ruth Watson Henderson is based on a set of riddles. One part of the chorus sings the rid...

Looking for a liturgical masterwork for your women's chorus? Here you are! In this, Patrick Liebergen arranges a marvelous work by Leopold Mozart. (Try it with the optional flutes!)

Traditionally a love song, this air from Northumbria is written for treble voices (SSA) accompanied by piano. Arranged by Samuel Adler, a prolific composer and conductor, it is of medium-easy difficul...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The text for these two companion pieces might provide an opportunity to do some teaching on the importance of proper punctuation. For a little comic relief, try this winner with your women's choir.

Louisa May Alcott's text has been set to lovely work for treble chorus and piano, suitable for school or church.

This chorus from The Creation is probably Haydn's most famous choral piece. Now it is available in a splendid edition for treble chorus with keyboard accompaniment!

Instumentation: Piano, Harp, Cello, and Flute (optional)

This piece was written for a choral festival where numerous choirs were present. Here, each choir represents a different animal or insect in the poem and sings a verse assigned to its own melody. The...

For three-part treble voices, solo, and piano or harp, this lullaby works with all ages!

This is a memorial work for treble voices with piano and C instrument. From an anonymous text, the work is a moving crossover between the secular and sacred.

Looking for a piece for the women in your church choir? This energetic work is truly full of life and excitement. Give it a try on music ministry Sunday. Originally for mixed chorus (HMC1900)

Though not the tune that we normally associate with this text, this one is truly beautiful. For women's voices with piano, the work is also available for mixed voices (HMC1539) or in a wonderful setti...

Originally scored for three part mixed chorus (HMC1778), here Tom Shelton sets the Emily Dickinson text for SSA chorus and piano. Try it during American music month

Tom Shelton is a master writer for young voices and this work for three-part treble chorus with piano and optional wind chimes is no exception.

This remarkable trio is taken from Bach's Magnificat in D Major (BMV 243). Scored for SSA chorus and keyboard, the work is an example of the great master's brilliant contrapuntal writing. Very effecti...