Women's Choir a capella

P?teris Vasks composed this cycle for women's choir on poems by his Latvian compatriot Vitauts ??d?ns. The lyrics are taken from the poetry collections Blizzard in the Rye of 1971 and The Birch Bark P...

Chorpartitur - für Chor SA mit einem Blasinstrument

Chorpartitur - Die Soli können auch doppelt oder dreifach besetzt werden.

Heart, We Will Forget Him is one movement from Michael Hennagin's Three Emily Dickinson Songs. The imagery of Dickinson's poem comes to life through Hennagin's thoughtful writing. The piano truly acts...

In this fast and energetic piece, Quartel sets her own text celebrating the joy of singing. The melody weaves in and out of the texture, supported by dynamic vocal accompaniment and rhythmically drive...

The quirky style of The Look perfectly complements the nature of Sara Teasdale's poem, which reminisces on past romances. The melody is catchy and colourful, with a stylistic ornament that gives the p...

Taken from a suite of three pieces by Cecilia McDowall called Lonely Hearts, composed in 2005, this is a light and energetic setting of a whimsical text by Christie Dickason about a lonely hearts colu...

I will sing and raise a psalm has a text from St Francis of Assisi and works well as a concert piece or as an anthem. The music is rewarding for organist and choir alike. The conclusion, with its evoc...

Ursprünglich 1996 geschrieben für Chor SSAA und oft gesungen vom Andrej Vavken Frauenchor meiner Heimatgemeinde, bildet das Werk in der Mitte einen Spiegel, indem musikalische Motive des ersten Teils...

A Parliament of Owls is a celebration of collective nouns in three contrasting movements, with saxophone, percussion and piano duet accompaniment. English collective nouns encapsulate in an intrinsica...