Women's Choir with Ensemble

This motet in two parts is devotional in character, with each section opening with homophonic writing before elaborating on close imitative polyphonic lines. The motet demonstrates a mature writing st...

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs. The...

Recent scholarship postulates that this anonymous motet for the Feast of the Assumption of the Blessed Virgin Mary was in fact written by Leonora d'Este, daughter of Duke Alfonso I and Lucrezia Borgia...

The opening of this motet displays Massaino's skill in the art of word-painting with soaring lines that play on the word 'arise' (Surge). Punctuated with occasional homophonic writing, the beautiful m...

for SSAA unaccompanied. Garden of Dreams sets of fragments of text by Sappho, translated by Arthur Sanders Way and A. S. Kline. Sarah Quartel has used cross-rhythms, syncopation, and flowing melodic l...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

Heart of Earth sets excerpts of poetry by Laura Purdie Salas that are rich in vivid descriptions of the natural world. Rajasekar was attracted to these texts by the way in which they relate to her hom...

Marie-Claire Saindon's Keeping Time for Joy abounds with the joy in contemporary writer Sarah Windle's text in this uplifting piece. Folk-like scalic melodies, infused with momentum through changing c...

Dedicated to 'sisters everywhere', this three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early sp...

for SSAA unaccompanied A simple and tender seeting of William Blake's famous poem, particularly suitable for younger voices.

For SSAA unaccompanied - The texts are translations of ancient Chinese poems.

SSA unaccompanied. These short, simple settings are suitable for choirs beginning to sing in parts. Each part is easy enough to be learnt by rote if necessary, and each setting is short enough for cho...

An enigmatic female presence is swirling in a dark and worried volubility, with short and sharp sentences: this first half of Florence Delay's poem "Ghost" is like a suppressed cry of anguish, whose r...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

1. Noël provençal de Saboly (SATB chorus); 2. Noël ancien (SMzA chorus)

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

A collection of SSAA Barber Shop pieces.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...