Women's Choir with Orchestra

Noah Reese’s I Am Light is a powerful SSA ballad celebrating inner strength, resilience, and radiance. Through bold affirmations—"I rise, I burn, I do not fade… I am love. I am strength. I am light."—...

With words by Wanetta Hill and music by Earlene Rentz, Dance! Laugh! Sing! bursts with playful charm and a light, lilting energy. Filled with cheerful repetitions, teasing wordplay, and whimsical "fa-...

With lyrics by Tanya Mahesh and music by Brady Weldon, What If is an introspective and imaginative SSA work that explores fear, possibility, and hope. Through evocative imagery—frost, silence, shadows...

Meredith Tompkins’s setting of Emily Dickinson’s I Took My Power in My Hand brings boldness and vulnerability to life through a driving piano part and compelling percussion. Dickinson’s words explore...

What began as a personal reflection on growth and mentorship has blossomed into the heartfelt anthem, I Can Be Better. This piece is an invitation to singers to embrace its vulnerable and hopeful narr...

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...

Song For Athene' is a work by British composer John Tavener, arranged by Barry Rose for Upper Voices and Organ, with optional Cello. The text is taken from Shakespeare's 'Hamlet', as well as from the...

John Tavener's 'Awed By The Beauty', from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment, by Barry Rose. The all-night vigil 'The Veil Of The Temple' was comm...

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. Commissioned to mark the 20th Anniversary of St Albans Abbey Girls Choir, the piece sets a poem by Christina...

Day by Day was written for the Chamber Choir of Burntwood School and their conductor Debbie Lammin. It was first performed by them on 25th March 2019 at the Royal Festival Hall, London, as part of A B...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Schumann verwendet für die Vertonung von 'Zigeunerleben' einen Rhythmus, der an einen Bolero oder Fandango erinnert, um dem Versmaß von Emanuel Geibel gerecht zu werden. Variationsreiche Stimmwechsel,...

Diese Sammlung von Sechs Liedern für Frauenstimmen enthält sechs relativ unterschiedliche Stücke, die sowohl in der Sprache ihrer Liedtexte (Finnisch und Schwedisch) als auch in Umfang und Besetzungs...

Winter, published by the renowned Carus-Verlag, captures the evocative and magical atmosphere of the cold season in exquisite harmony. Scored for three-part female choir (SSA) and piano accompaniment,...

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A text by the American poet Sara Teasdale (1884-1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

Coro SSMezAA

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larg...