Women's Choir with Orchestra

Troll the ancient Yuletide Carols in a whole new way with these bright, fresh a cappella arrangements by popular choral arranger Jay Althouse. The 20 carol settings juxtapose traditional tonalities wi...

This valuable publication features three easy a cappella vocal jazz arrangements from the pen of jazz educator Michele Weir: 'Let it Snow! Let It Snow! Let It Snow!,' 'I'll Be Home for Christmas,' and...

Here's a modern day madrigal for SSA choirs that may be performed a cappella or with the lilting 'in one' accompaniment. Program this joyful song for holiday concerts or any time you want to celebrate...

This widely performed Renaissance motet is now available in an SSA edition. Transposed up a fourth from the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

Wish your audience a 'Merry Christmas and a Happy New Year' in just a half a minute. This madrigal-style a cappella novelty is equally easy-to-learn and enjoyable-to-sing. Plus, it's a great choice fo...

The short Zulu text of this authentic South African song calls for workers' rights and political justice. Three percussion instruments provide a rhythmic backdrop for this a cappella gem!

Introducing a new addition to the Vox tradition - this time it's for the holidays! Greg's clever and rhythmic vocables suggest sounds of the season; "fa la las" (carolers) , "ding dong dings" (bells)...

Introducing a new addition to the Vox tradition - this time it's for the holidays! Greg's clever and rhythmic vocables suggest sounds of the season; "fa la las" (carolers) , "ding dong dings" (bells)...

Nach einem Weihnachtslied aus dem Burgenland.

Nach einem Weihnachtslied aus der Schweiz.

Bekanntes Weihnachtslied, a cappella-Chorsatz.

Nach einer anstrengenden Chorprobe gibt es ein leckeres 'Likörchen für das Frauenchörchen'. Eine nicht ganz ernst zu nehmende Humoresque für Frauenchor.

Selber kundiger Chordirigent, erzielte Hans Chemin-Petit mit Kompositionen für Vokalensemble seine größten Erfolge. Neben großformatigen ernsten Werken, vor allem auf biblische Texte, schuf er auch or...

Le tremblement permanent du moi- fantôme ... commissioned by the French vocal ensemble Musicatreize for the Beethoven Year 2020 program 12 Letters to Elise, raises the question of who we are today and...

Christmas setting for upper voices (three parts) of a traditional 15th-century English text with Latin refrain: 'Gabriel of high degree ...' / 'Ut nova: Ave fit ex Eva'. An explanation of the Latin pu...

Composed in 2009, this short, celebratory introit was the first of several unaccompanied works I composed for Matthew Owens and the Wells Cathedral Girl Choristers. The text (Let us all rejoice) exist...

This setting of the Ordinary of the Latin Mass (without Credo) was premiered in May 2016 by the choristers of Wells Cathedral Choir. Filling a gap in the repertoire, the work is written for unaccompan...

A setting of pastoral verses of Polonsky dating from the last two decades of the composer's life, after her withdrawal from musical life following the Russian Revolution. Leokadiya Kashperova (1872-19...

This work by Kim André Arnesen (one of Norway’s most performed contemporary composers) was commissioned by the Athens Master Chorale, Georgia, USA for the 50th anniversary of their founder and conduct...

Composer's note: 'On yesternight I saw a sight was set as a means of thanking Jo Tomlinson for promoting and recording my music with the excellent choristers of Farnham Youth Choir. Knowing that the g...

Composer's note: 'In the bleak midwinter is the setting of the famous poem by Christina Rossetti for four-part mixed choir. This poem came to mind as I walked the streets of Cornwall on a cold, bleak...

Composer's note:'The original version of Ring the bells for mixed choir, now available in a version for high choral voices, was commissioned by the London Philharmonic Choir, who also sang the premier...

In its original scoring for mixed voices MacMillan's The Gallant Weaver has become a favourite; this arrangement now extends the setting to upper voices. Paul Spicer comments, 'This ideal introduction...