Women's Choir with Organ

Nocturne features a beautiful, singable melody for soprano and alto voices, supported by delicate harmonies that remain accessible for developing treble choirs. An optional flute or C-instrument part...

The text for The Sea is Never Still is based on Young Sea, a poem by the Pulitzer-prize winning American poet, Carl Sandburg (1878-1967). This poem describes the sea using vivid imagery and personific...

A Wonderful Day gives SSA choirs a cozy, cheerful moment filled with jazzy chords and rich harmonies. The piece captures the warmth of the holiday season and the simple joy of being snuggled up inside...

Lush, lovely, and harmonically rich, the SSA version of this American solo standard brings a vocal 'classic' to younger treble singers who might not yet possess the dexterity to perform the original s...

Tompkins' enchanting melody is reminiscent of an antique music box, paired with a waltz-like accompaniment in a lilting 3/4 pattern.  Varied in texture, with unison, SA, and SSA sections, this piece c...

In his poem, High Flight, John Magee describes the delirious feeling of wheeling and soaring, and an intimate connection with the divine. Hunt reflects these feelings throughout his lyric unison melod...

Kendall's lovely and rhythmically interesting arrangement of Americana is highly suitable for treble choirs of all abilities. A pulsating accompaniment adds forward motion to this sparkling homophonic...

Worley's exciting new arrangement of I Saw Three Ships brings a fresh, dynamic energy to this classic carol. Written for a cappella treble choir, the piece features lively, rhythmic vocal lines that d...

Your singers will love jumping into Courtney's fun, jaunty rendering of this beloved bit of Americana, which contains interplay between voice parts and engaging hand clapping. Also available for SATB...

The Haunting for SSA voices and piano is a spellbinding choral work that blends ethereal harmonies with hauntingly poetic text. Exploring themes of lingering spirits and echoes of the past, the piece...

In this setting of Abbie Farwell Brown's poetry, Tompkins transforms Brown's simple rhyme scheme into a vibrant interplay of homophonic and polyphonic textures. Centered around the second scale degree...

Just as Alice learns to embrace her true identity amidst the wonders and chaos of Wonderland, this piece encourages young singers to look at themselves in the mirror and find the bravery to navigate t...

In this fun and humorous piece, the choir warns against insincere men, urging listeners to "better run" from such unreliable suitors. The text draws from Dorothy Parker's Social Note and two other poe...

Inspired by George Wither’s A Christmas Carol, this joyful work by Earlene Rentz carries a lively lilt from start to finish. Light, dance-like phrases and accessible vocal writing make it a charming c...

Northern Sky is a choral piece for SSA voices that captures the mystery and beauty of the northern lights. The music follows the movement of the aurora—soft and shimmering, bold and bright—reflecting...

Arise is a powerful and energetic piece for SA voices, built on a text that affirms strength in the face of hardship: "When I fall, I shall arise." Set in a driving 7/8 meter, the music maintains a co...

Paul David Thomas’s My Heart for Thee, set to a Sufi-inspired text by Ameen Rihani, reflects the mystical tradition in which the heart symbolizes devotion, openness, and the soul’s longing for connect...

Noah Reese’s I Am Light is a powerful SSA ballad celebrating inner strength, resilience, and radiance. Through bold affirmations—"I rise, I burn, I do not fade… I am love. I am strength. I am light."—...

With words by Wanetta Hill and music by Earlene Rentz, Dance! Laugh! Sing! bursts with playful charm and a light, lilting energy. Filled with cheerful repetitions, teasing wordplay, and whimsical "fa-...

With lyrics by Tanya Mahesh and music by Brady Weldon, What If is an introspective and imaginative SSA work that explores fear, possibility, and hope. Through evocative imagery—frost, silence, shadows...

Meredith Tompkins’s setting of Emily Dickinson’s I Took My Power in My Hand brings boldness and vulnerability to life through a driving piano part and compelling percussion. Dickinson’s words explore...

What began as a personal reflection on growth and mentorship has blossomed into the heartfelt anthem, I Can Be Better. This piece is an invitation to singers to embrace its vulnerable and hopeful narr...

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...