Women's Choir with Piano

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional...

Ramos has written a memorable tribute to a beloved teacher in I Carry Your Song in My Heart. For the advanced treble ensemble, the lush and captivating harmonies are sure to engage both singer and aud...

This three-movement work is an upbeat and optimistic expression of curiosity and growth. With lyrics by the composer, the work features a supportive piano part and a characterful violin part, with uni...

Based on poetry by Sara Teasdale, this work, in the composer's words, is 'a passionate roller-coaster ride, surprising and exhilarating, and over before one knows it.' This piece will be a striking sh...

Do unto others as you would have them do to you'' or The Golden Rule may be found in most major world religions. In this new composition by Wayland Rogers, eight religions are represented. Written in...

Drawing from a message he hears around the country from young singers, Jim writes of the importance of nurturing and developing of one's inner spirit and personality, as well as the acceptance of othe...

The composer's work with African choirs has introduced him to many people who, although facing extreme adversity, somehow they maintain a joyous spirit that is more powerful than we can realize. The t...

Frozen In evokes the icy calm of a placid winter evening walk, not just any walk but the walk of great friends with a long shared history. The crystalline imagery of the poetry is perfectly depicted i...

This lyrical and passionate work for treble choir, cello and piano features flowing, rich harmonies and exhilarating dance-like passages offering the promise of sensual beauty, joyful connection and u...

Oft interpretiert als ein Lied über das Vergehen der Zeit, ist dies vor allem ein Lied über Freundschaft und Wohlwollen. Auch wenn es traditionell vorwiegend zum Jahreswechsel gesungen wird, eignet es...

Sulpitia Cesis is a 17th century Italian composer, Lutenist and nun - and a little known church music composer. In this groundbreaking research by Meredith Bowen, we not only learn that women sang in...

Gilpin's setting of an Appalachian fiddle tune from the mid-1800s is quite comical as it creates the story of someone chasing down their aging hen, trying to get it to lay eggs. By the end, the owner...

For Alto Solo, Women's Chorus and Piano

Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic, jazzy arrangement that includes optional rhythm, flugelhorn and flute. The song is a symbol of che...

This piece explores the idea of listening to our inner voice, and how it can help lead us to living a much fuller and more engaged life. It is that voice that is so often not heard by today's youth. C...

Setting of the familiar traditional Irish text, ‘May the road rise up to meet you’, An Irish Blessing was written in 2024 as a parting gift for a Pembroke College, Cambridge organ scholar, Andreana Ch...

Will Todd’s Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Lat...

Chorale from Church Cantata No. 147 for Three-Part Chorus of Women's voices SSA with piano or organ accompaniment. Arranged by Bryceson Treharne.

Commissioned by the American Choral Directors Association and first performed at the 2015 ACDA Convention in Salt Lake City, this setting of the Gloria text from the Christian Mass (in Latin) is a hig...

Als eigenständiges Stück, welches ursprünglich der sechste Satz seines Stabat Mater ist, hat sich Arnesen für einen anderen, aber ähnlichen Text entschieden. Hier steht nicht die schmerzensreiche Gott...

This 'Magnificat' for treble voices with optional strings is by the Baroque composer Nicola Porpora and edited by Joan Whittemore. It consists of six contrasting choral movements and was written for t...