Zimmermann Flute Sheet Music
Verspielt und elegant, lyrisch versonnen und keck virtuos stehen die 3 Sätze als typische Vertreter einer Salonmusik im besten Sinne, wie sie in dieser Art weit in das 20. Jahrhundert hinein in Frankr...
Verspielt und elegant, lyrisch versonnen und keck virtuos stehen die 3 Sätze als typische Vertreter einer Salonmusik im besten Sinne, wie sie in dieser Art weit in das 20. Jahrhundert hinein in Frankr...
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- Henner Eppel Volker Höh
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The concerto presented here is an arrangement of one of the '6 Concerti pour 5 flutes traversières' op.15. We used 4 flutes instead of 5 so that the work can be played by a flute quartet, one of the s...
The concerto presented here is an arrangement of one of the '6 Concerti pour 5 flutes traversières' op.15. We used 4 flutes instead of 5 so that the work can be played by a flute quartet, one of the s...
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Die Duos sind mäßig modern und als Spielstücke gedacht. Beide Stimmen sind eigenständig geführt. Aufgrund der Kürze und Faktur sind die Stücke gut für den Musikschulbereich geeignet.
Die Duos sind mäßig modern und als Spielstücke gedacht. Beide Stimmen sind eigenständig geführt. Aufgrund der Kürze und Faktur sind die Stücke gut für den Musikschulbereich geeignet.
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Die Duos sind mäßig modern und als Spielstücke gedacht. Beide Stimmen sind eigenständig geführt. Aufgrund der Kürze und Faktur sind die Stücke gut für den Musikschulbereich geeignet.
Die Duos sind mäßig modern und als Spielstücke gedacht. Beide Stimmen sind eigenständig geführt. Aufgrund der Kürze und Faktur sind die Stücke gut für den Musikschulbereich geeignet.
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Ho and nami are two Japanese characters and stand for spike and wave. In combination, Honami denotes the wavy swing of a flowering rice field, moved by the wind. The wind is the cause, the rice field...
Ho and nami are two Japanese characters and stand for spike and wave. In combination, Honami denotes the wavy swing of a flowering rice field, moved by the wind. The wind is the cause, the rice field...
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Jean Baptiste Sebastian Bréval was born in Paris in 1753 and died in the department of Aisne in 1823. Even more sustained than his instrumental work was his success as an author and composer. The majo...
Jean Baptiste Sebastian Bréval was born in Paris in 1753 and died in the department of Aisne in 1823. Even more sustained than his instrumental work was his success as an author and composer. The majo...
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Frederic the Great's Flute Book offers a great number of short, light pieces that can be learned easily, and which can be used to practise such things as articulation, dexterity, dynamics as well as s...
Frederic the Great's Flute Book offers a great number of short, light pieces that can be learned easily, and which can be used to practise such things as articulation, dexterity, dynamics as well as s...
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- Doris Geller
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Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instr...
Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instr...
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Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instr...
Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instr...
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Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instr...
Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instr...
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With the four duets, the mature Bach goes back almost twenty years to the time of his 'two part inventions' with their enchanting synthesis of inspiration, joy of playing and contrapuntal perfection....
With the four duets, the mature Bach goes back almost twenty years to the time of his 'two part inventions' with their enchanting synthesis of inspiration, joy of playing and contrapuntal perfection....
- Flute Duet
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- Klaus Holle
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Die 'Vier Duette' sind Bestandteil des 'Dritten Theil der Clavierübung' und sind in der Originalfassung nur als solche bezeichnet, eine Besetzungsangabe hat Bach nicht gemacht. Die anderen Stücke dies...
Die 'Vier Duette' sind Bestandteil des 'Dritten Theil der Clavierübung' und sind in der Originalfassung nur als solche bezeichnet, eine Besetzungsangabe hat Bach nicht gemacht. Die anderen Stücke dies...
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Die Kanons op 113, im Original für Frauenstimmen komponiert, eignen sich aufgrund ihrer Konzeption besonders gut für eine Transkription für Flöten. Lediglich wenige Transpositionen waren nötig, um die...
Die Kanons op 113, im Original für Frauenstimmen komponiert, eignen sich aufgrund ihrer Konzeption besonders gut für eine Transkription für Flöten. Lediglich wenige Transpositionen waren nötig, um die...
- 3-6 Flutes
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- Frank Michael
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In Russia, Ferdinand Büchner (1825-1912) won himself a reputation as an excellent soloist and teacher. Following the romantic tradition of virtuoso musicians who also worked as composers, Ferdinand Bü...
In Russia, Ferdinand Büchner (1825-1912) won himself a reputation as an excellent soloist and teacher. Following the romantic tradition of virtuoso musicians who also worked as composers, Ferdinand Bü...
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Bochsa, geboren 1789, war Harfenist und ab 1813 am Hofe Napoleons und Ludwig XVIII. angestellt. Ab 1822 bekleidete er die Position eines Harfenprofessors an der neugegründeten Royal Academy of Music i...
Bochsa, geboren 1789, war Harfenist und ab 1813 am Hofe Napoleons und Ludwig XVIII. angestellt. Ab 1822 bekleidete er die Position eines Harfenprofessors an der neugegründeten Royal Academy of Music i...
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The lack of good literature from the time of Viennese Classicism for four flutes is one of the reasons for writing the transcription presented here. The original of Divertimento KV 136 is arranged for...
The lack of good literature from the time of Viennese Classicism for four flutes is one of the reasons for writing the transcription presented here. The original of Divertimento KV 136 is arranged for...
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In contrast to the divertimento-like Notturno or the dreamy Nocturne, the title Nocturnal points to the abysmal dimensions of night music. On the other hand, Nocturnal is the title of Edgar Varèse's l...
In contrast to the divertimento-like Notturno or the dreamy Nocturne, the title Nocturnal points to the abysmal dimensions of night music. On the other hand, Nocturnal is the title of Edgar Varèse's l...
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Wilhelm Popp (1828-1903). In addition to his work as an orchestra musician, Popp was one of the most creative composers of flute music. His 525 works include numerous compositions of average value, bu...
Wilhelm Popp (1828-1903). In addition to his work as an orchestra musician, Popp was one of the most creative composers of flute music. His 525 works include numerous compositions of average value, bu...
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The edition presented here is based on the authograph score of a Concerto in G major for 4 (transverse) flutes and figured bass, as well as the corresponding part copy of Flute I .
The edition presented here is based on the authograph score of a Concerto in G major for 4 (transverse) flutes and figured bass, as well as the corresponding part copy of Flute I .
- 4 Flutes and Continuo
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Leonardo de Lorenzo, 1875-1962, ist lange Zeit fast unbeachtet geblieben. Einer sich abzeichnenden Renaissance trägt der Musikverlag Zimmermann mit Neuausgaben aus seinem Archiv Rechnung. Ein ausführl...
Leonardo de Lorenzo, 1875-1962, ist lange Zeit fast unbeachtet geblieben. Einer sich abzeichnenden Renaissance trägt der Musikverlag Zimmermann mit Neuausgaben aus seinem Archiv Rechnung. Ein ausführl...
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- Werner Richter
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This Flute Concerto op. 44 was originally conceived as a violin concerto (1799) by the composer Franz Krommer (1759-1831) and later rewritten for the flute (1820). Our edition is based on the first pr...
This Flute Concerto op. 44 was originally conceived as a violin concerto (1799) by the composer Franz Krommer (1759-1831) and later rewritten for the flute (1820). Our edition is based on the first pr...
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Vienna, March - April,1816. Franz Schubert writes his Sonatas for pianoforte accompanied by a violin. 1816 was a particulary disappointing year for Schubert. A modest music teacher's employment in Lai...
Vienna, March - April,1816. Franz Schubert writes his Sonatas for pianoforte accompanied by a violin. 1816 was a particulary disappointing year for Schubert. A modest music teacher's employment in Lai...
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Many teachers consider ensemble playing a rich source of pedagogical benefit. However, the range of available publications includes only few editions that are particularly easy to play by an ensemble...
Many teachers consider ensemble playing a rich source of pedagogical benefit. However, the range of available publications includes only few editions that are particularly easy to play by an ensemble...
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There is an increasing discovery of chamber music by Italian composers of the 19th century. Mercadante's duets are worth listening to which is hardly surprising if one takes into consideration the sig...
There is an increasing discovery of chamber music by Italian composers of the 19th century. Mercadante's duets are worth listening to which is hardly surprising if one takes into consideration the sig...
- Flute Duet
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- Musikverlag Zimmermann
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The Flute Concerto No. 3 from opus 10 by Antonio Vivaldi is certainly among his most popular works. 'Il Gardellino', 'The Goldfinch', is its programmatic title, and the solo flute does absolute justic...
The Flute Concerto No. 3 from opus 10 by Antonio Vivaldi is certainly among his most popular works. 'Il Gardellino', 'The Goldfinch', is its programmatic title, and the solo flute does absolute justic...
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- Peter Stöhr
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