Classical sheet music by Editions Marc Reift

The Sonata (TWV 41:H3) by Georg Philipp Telemann is one of the most remarkable works of the Baroque repertoire and combines melodic elegance with contrapuntal richness. This sonata demonstrates Telema...

The Sonata (TWV 41:H3) by Georg Philipp Telemann is one of the most remarkable works of the Baroque repertoire and combines melodic elegance with contrapuntal richness. This sonata demonstrates Telema...

The Sonata (TWV 41:H3) by Georg Philipp Telemann is one of the most remarkable works of the Baroque repertoire and combines melodic elegance with contrapuntal richness. This sonata demonstrates Telema...

The Sonata (TWV 41:H3) by Georg Philipp Telemann is one of the most remarkable works of the Baroque repertoire and combines melodic elegance with contrapuntal richness. This sonata demonstrates Telema...

This concertino for solo flute and viola was composed in 1980 for Anne-Marie Sommer, Adrian Wepfer and Hélène Basler. It can be played with piano or string orchestra. The first movement is passionate,...

This concertino for solo flute and viola was composed in 1980 for Anne-Marie Sommer, Adrian Wepfer and Hélène Basler. It can be played with piano or string orchestra. The first movement is passionate,...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...