Classical sheet music by Johann Sebastian Bach

Orgel/ Klavier/ Cembalo - Urtextausgabe

> Complete new engraving > New detailed Foreword by Christine Blanken (Ger/Eng) > Links to relevant sources in Bach digital Volume 1 of Bach's organ music presents some of the most frequently played o...

> Replaces BA5174 > With altered readings integrated into the musical text taking into account new musicological evidence > With a new Preface (Ger/Eng) discussing this work and its sources by Christo...

> New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources > New contents reflecting the current state of source evaluations Links to sources in 'Bach digital' Complete new engra...

> New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources > New contents reflecting the current state of source evaluations Links to sources in 'Bach digital' Complete new engra...

J. S. Bach lieferte die Vorlagen: Drei Sätze aus der Sonate für Viola da gamba und Cembalo BWV 1027 und den Schlusssatz der Sonate BWV 1029, sowie die dreistimmige Invention (Sinfonie) d-moll BWV 790....

In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...

In his Preludes and Fugues, Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the...

Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...

Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...

In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this b...

Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...

Volume 6 contains the three collections that Bach himself took to the printer: the Dritter Teil der Clavier-Übung was published in 1739; the Sechs Choräle von verschiedener Art ('Schübler-Choräle') an...

The basic repertoire of the 45 choral preludes of the Orgelbüchlein is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The m...

Volume 8 presents the work group called the 'Leipziger Choräle.' Next to the late versions compiled and entered by Bach himself in the manuscript 'P 271', all of the early versions with their sometime...

The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...

The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. Th...