Variable Instrumentation Sheet Music for Wind Band

This version of Shepherd's Hey by Partick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, inclu...

In diesem spaktakulären und herausfordernden Konzertstück gibt der Komponist seine Sicht der keltischen Volksmusik wieder. Eine mysteriöse Einleitung im Schlagzeug geht in eine fröhliche Melodie über....

This arrangement for flexible instrumentation is a setting of three traditional Czech melodies displaying a wide range of moods and styles. Includes: Walking at Night; Meadows Green and Spring, The Ma...

This tender and mournful traditional folk song remains a favorite with ensembles of all levels. Even in the easy flex format scored for four parts, this arrangement provides ample variety in textures,...

This familiar Korean folk tune is arranged in a series of variations through different styles and textures. A very effective setting scored with flexible options for bands with instrumentation challen...

This playable yet musically rewarding three-movement suite was composed by Hugh M. Stuart in 1969 and continues to be a popular work for contest and festivals. Skillfully adapted here for flexible ins...

Featuring the heartfelt melody of this traditional Irish folk song, Michael uses lush harmonies, varieties in texture, and carefully paced emotional peaks in this marvelous setting for young players....

Focusing on a variety of playing styles, here is a distinctive multicultural work scored for flexible instrumentation. First is a quasi march treatment of The Bamboo Flute, followed by a chorale setti...

Michael's popular setting of tuneful Irish melodies is available here in an easy flexible format using just four parts plus percussion. Ideal for small group settings.

Here we have another splendid pleasing suite by Ennio Salvere. It consists of the following three parts : 'Of Guilds and Bagpipes', 'Of Sailors and Fishermen' and 'Of Singers and Dancers'. With this c...

A while ago Andrew Pearce was asked to arrange some traditional folk songs into a medley that utilised an array of unusual instrumental groupings, typical of a local village band. He has re-worked the...

Stevie Wonder's hit from 1973 remains as fresh-sounding as ever. Paul Murtha's version for flexible instrumentation features a funky groove and all the signature riffs.

Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is ch...

Speed ist eine spritzige, schnelle und spannende 'Funky' Komposition für Jugenorchester. Im ersten Teil enthält das Thema einen erzieherischen synkopierten Rhythmus. Der zweite Teil fängt ganz ruhig a...

Stevie Wonder's hit from 1973 remains as fresh-sounding as ever. Paul Murtha's version for flexible instrumentation features a funky groove and all the signature riffs.

Although this piece is written by bassist Mark King of Level 42 as far back as in the early 80's (album Strategy), this is a melody that are often used where bass-players will put each other on trial....

There is a certain charm about the 'Old West' and the stories of heroes and villains, gun chases and love stories. In this 3-movement piece you can hear it all from the Cowboys on Horseback to the war...

5 classic Negro Spirituals, which have been extremely skilfully arranged for our Flexible Winds Series. With: 1. Ev'ry Time I feel the Spirit! 2. Great getting-up morning 3. Deep River 4. Dry Bones 5....

flex series 4 parts + percussion

flex series 4 parts + percussion

Stamp, tramp, put your foot down! The lyrics are in the South African language Afrikaans, which originated from Dutch. The song is mainly used at sports events, but is also common at happy events such...

Halleluja is a gospel song used in churches all over South Africa. The lyrics are in Xhosa: 'God's praise. We are not here to stay, we are just visitors. We are soon going to a better place'.

Originally recorded by Louis Prima, but also a bit hit for the Brian Setzer Orchestra, this hoppin' tune epitomizes the energetic 'jump swing' style.

Originally recorded by Louis Prima, but also a bit hit for the Brian Setzer Orchestra, this hoppin' tune epitomizes the energetic 'jump swing' style.