Sheet Music for String Instruments

Learning at a very early age the piano and the violin and surrounded by brothers and sisters playing the piano and string instruments, Jean Cras quickly came to compose chamber music. First a piano tr...

The stylistically very classic Variations en forme de chaconne were first performed on 23rd February 1902 by Gaston Courras, a cellist at the Paris Opera, and the composer at the piano. This piece bel...

Mikko Heiniö's Mot natten (Towards night), three nocturnes and two interludes for cello and guitar was composed in 2018. This suite found its inspiration and name in Finnish poet Bo Carpelan's (1926-2...

This volume includes works for cello and piano – Alwyn’s Three Negro Spirituals and Carwithen’s Sonatina. These recreational pieces are suitable for players at an intermediate level while the Sonatina...

Ten dreams, ten work pieces inspired by different places around the world, introducing the violoncello player to a variety of contemporary techniques, with the imaginative notation offered by David Gr...

The Sonatina was written in 1975 at the request of the cellist Christopher Salmon and is in three succinct movements. The first has an angular main theme and a broad, lyrical second theme, contrasted...

Written in 1976 for the New Zealand cellist Christopher Salmon, these four Inventions for solo cello are for ambitious students at college level. The first piece is dramatic and declamatory, working t...

Adventures & Accolades: Cello is a lyrical and imaginative collection that celebrates the expressive range and colour of the cello. Adapted from James Welburn’s popular piano series, these pieces invi...

Year of composition: 2013.

First Edition

The technique and variability of equal music making is in these duos, after preceding 'four-part' chorales, integrated into the strict form of the fugue.

The duos are excellent for practicing ensemble playing, especially since both voices lead and accompany alternately, 'dédiés aux Amateurs'.

Composed in 1954 for the Louisville Philharmonic Society, this concerto is one of Müller's most important works. Late Romantic echoes facilitate access to Müller's distinctive tonal language.

Of particular charm in this technically brilliant duet is the sequence of variations on themes from Mozart's opera 'The Marriage of Figaro'.