Sheet Music for Viola
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Winner of the 1909 Cobbett Chamber Music Competition, John Ireland's Sonata No. 1 in D minor was among his first significant instrumental works. It was published in 1911 and revised in 1917. Martin Ou...
Winner of the 1909 Cobbett Chamber Music Competition, John Ireland's Sonata No. 1 in D minor was among his first significant instrumental works. It was published in 1911 and revised in 1917. Martin Ou...
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Konzertfantasie über Themen aus der Oper 'Rigoletto' von Giuseppe Verdi für Klarinette in B und Streichorchester bearbeitet von Nicolai Pfeffer Die berühmten Melodien aus Giuseppe Verdis Opern wurden...
Konzertfantasie über Themen aus der Oper 'Rigoletto' von Giuseppe Verdi für Klarinette in B und Streichorchester bearbeitet von Nicolai Pfeffer Die berühmten Melodien aus Giuseppe Verdis Opern wurden...
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Nach dem Original für Violine und Klavier, bearbeitet von Heinz Bethmann.
Nach dem Original für Violine und Klavier, bearbeitet von Heinz Bethmann.
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Arranged for viola and piano.
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Albeniz 'Barcarola', transcribed for Viola by J. Amaz.
Albeniz 'Barcarola', transcribed for Viola by J. Amaz.
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Enrique Granados' Danza Espanola No. 2, subtitled 'Oriental, ' written for viola and piano, transcribed by J. Amaz.
Enrique Granados' Danza Espanola No. 2, subtitled 'Oriental, ' written for viola and piano, transcribed by J. Amaz.
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In his "Herbstblatt" Heinz Holliger traces the biography of the composer Gideon Klein, who was murdered in the Auschwitz-Fürstenau concentration camp. As a shadow of memory, Holliger intersperses quot...
In his "Herbstblatt" Heinz Holliger traces the biography of the composer Gideon Klein, who was murdered in the Auschwitz-Fürstenau concentration camp. As a shadow of memory, Holliger intersperses quot...
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The Bridges of Newcastle by Garth Knox was composed for the 14th Lionel Tertis International Viola Competition and is an imaginary musical cruise down the Tyne river on a viola, passing under each of...
The Bridges of Newcastle by Garth Knox was composed for the 14th Lionel Tertis International Viola Competition and is an imaginary musical cruise down the Tyne river on a viola, passing under each of...
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Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...
Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...
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In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...
In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...
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The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...
The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...
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The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...
The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...
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Of the five works that Johanna Senfter wrote for viola and piano, the Variations op. 94, completed at the beginning of the 1940s, are certainly her most sophisticated composition in terms of harmony a...
Of the five works that Johanna Senfter wrote for viola and piano, the Variations op. 94, completed at the beginning of the 1940s, are certainly her most sophisticated composition in terms of harmony a...
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What is it like to become a stranger to yourself? A loss of memory due to traumatic experiences or dementia is addressed in a fascinating way in this composition, with the resonating strings of the vi...
What is it like to become a stranger to yourself? A loss of memory due to traumatic experiences or dementia is addressed in a fascinating way in this composition, with the resonating strings of the vi...
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