Making A Home, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Making A Home, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Maybe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Maybe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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We Are The Children Of Europe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
We Are The Children Of Europe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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We Will Smile, We Will Sing, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
We Will Smile, We Will Sing, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Whatever I Do, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Whatever I Do, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Somebody Stole My Gal, written by Leo Wood, arranged for voice and piano.
Somebody Stole My Gal, written by Leo Wood, arranged for voice and piano.
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The Pretty Miss Brown, composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of F Major arranged for voice and piano.
The Pretty Miss Brown, composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of F Major arranged for voice and piano.
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Under A Blanket Of Blue, written by Jerry Levinson with words by Marty Symes and Al J Neiburg, arranged for voice and piano.
Under A Blanket Of Blue, written by Jerry Levinson with words by Marty Symes and Al J Neiburg, arranged for voice and piano.
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Give Me A Carriage With Eight White Horses, written by Fred Elton and Berl Rotfeld, as recorded by Dickie Valentine, arranged for voice and piano.
Give Me A Carriage With Eight White Horses, written by Fred Elton and Berl Rotfeld, as recorded by Dickie Valentine, arranged for voice and piano.
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Glen Echo (Will Ye No Come Home?), written by Harry Parr-Davies: with words by Michael Carr, arranged for voice and piano.
Glen Echo (Will Ye No Come Home?), written by Harry Parr-Davies: with words by Michael Carr, arranged for voice and piano.
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Miss Furr and Miss Skeene (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
Miss Furr and Miss Skeene (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
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Miss Furr and Miss Skeene: Introduction (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
Miss Furr and Miss Skeene: Introduction (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
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Good Clean Fun, written by Sandy Wilson from 'The Buccaneer', arranged for voice and piano.
Good Clean Fun, written by Sandy Wilson from 'The Buccaneer', arranged for voice and piano.
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The Gorilla, written by Kenneth Alwyn, as featured by Ian Wallace, arranged for voice and piano.
The Gorilla, written by Kenneth Alwyn, as featured by Ian Wallace, arranged for voice and piano.
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Her Presentation Dance, written by Hero De Rance, arranged for voice and piano.
Her Presentation Dance, written by Hero De Rance, arranged for voice and piano.
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Home-Coming, written by Mirrie Hill with words by Hugh McCrae. Arranged for piano and voice with in digital sheet music format.
Home-Coming, written by Mirrie Hill with words by Hugh McCrae. Arranged for piano and voice with in digital sheet music format.
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Hush-A-Bye, Ma Baby (The Missouri Waltz), from an original melody procured by John Valentine Peel, arranged by Frederic Knight Logan with words by James Royce Shannon, arranged for voice and piano.
Hush-A-Bye, Ma Baby (The Missouri Waltz), from an original melody procured by John Valentine Peel, arranged by Frederic Knight Logan with words by James Royce Shannon, arranged for voice and piano.
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This is an arrangement in G minor for voice and piano of 'La virgen lava pañales' for voice and orchestra, a Traditional Spanish work arranged by Colin Matthews.
This is an arrangement in G minor for voice and piano of 'La virgen lava pañales' for voice and orchestra, a Traditional Spanish work arranged by Colin Matthews.
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- Colin Matthews
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Jenny's Piano Song from Love Story the musical, arranged for voice and piano and available as print-it-yourself digital sheet music.
Jenny's Piano Song from Love Story the musical, arranged for voice and piano and available as print-it-yourself digital sheet music.
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I Could Be Happy With You, written by Sandy Wilson from 'The Boyfriend', arranged for voice and piano.
I Could Be Happy With You, written by Sandy Wilson from 'The Boyfriend', arranged for voice and piano.
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I Had A Heart (When I Came In), written by Fred Jay, Irving Reid and Charles Albert, as performed by Betty Madigan, arranged for voice and piano.
I Had A Heart (When I Came In), written by Fred Jay, Irving Reid and Charles Albert, as performed by Betty Madigan, arranged for voice and piano.
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I Heard You Singing, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of C Major.
I Heard You Singing, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of C Major.
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I Knew That You Would Be My Love, written by Noel Coward, from 'After The Ball', arranged for voice and piano.
I Knew That You Would Be My Love, written by Noel Coward, from 'After The Ball', arranged for voice and piano.
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I Know Only One Way To Love You, written by Sid Tepper and Roy C Bennett, arranged for voice and piano.
I Know Only One Way To Love You, written by Sid Tepper and Roy C Bennett, arranged for voice and piano.
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I Love You Still, written by Sidney Lippman and Sylvia Dee, arranged for voice and piano.
I Love You Still, written by Sidney Lippman and Sylvia Dee, arranged for voice and piano.
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