English Songs of the 17th and 18th centuries

mittlere bis tiefe Stimme

mittlere bis tiefe Stimme

Instrumentation Medium Voice and Piano
Optional Instrumentation Low Voice and Piano
Edition Sheet Music
Publisher Edition Peters
Order no. EP72529

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Immerse yourself in the rich vocal heritage of 17th- and 18th-century Britain with this meticulously curated sheet music edition from the renowned Edition Peters. This exquisite collection is dedicated to the captivating vocal repertoire of the Baroque and pre-Classical eras, offering a fine selection of English songs arranged specifically for medium to low voice and piano accompaniment. Ranging from touching melancholy to joyful elegance, these pieces captivate listeners with their timeless charm and melodic finesse. The vocal lines are ideally suited to the comfortable range of medium and lower voices, supported by a beautifully crafted piano accompaniment. Whether for vocal study, recitals, concert performances, or domestic music-making, this volume is an invaluable addition to any singer's repertoire, bringing the musical treasures of a golden era to life.

When daisies pied (mittlere bis tiefe Stimme, Tonumfang: c'-f'')
Where the bee sucks (mittlere bis tiefe Stimme, Tonumfang: c'-f'')
My lovely Celia (mittlere bis tiefe Stimme, Tonumfang: c'-f'')
Oft have I sigh'd (mittlere bis tiefe Stimme, Tonumfang: d'-d'')
The peaceful western wind (mittlere bis tiefe Stimme, Tonumfang: c'-d'')
There is a garden in her face (mittlere bis tiefe Stimme, Tonumfang: c'-d'')
Fair sweet cruel (mittlere bis tiefe Stimme, Tonumfang: h-d'')
Since first I saw your face (mittlere bis tiefe Stimme, Tonumfang: c'-c'')
The silver swan (mittlere bis tiefe Stimme, Tonumfang: d'-e'')
I saw my lady weeping (mittlere bis tiefe Stimme, Tonumfang: c'-d'')
It was a lover and his lass (mittlere bis tiefe Stimme, Tonumfang: d'-d'')
Ah! how pleasant 'tis to love (mittlere bis tiefe Stimme, Tonumfang: e'-e'')
I saw that you were grown so high (mittlere bis tiefe Stimme, Tonumfang: h-d'')
Fairest Isle (Address to Britain) from: King Arthur (mittlere bis tiefe Stimme, Tonumfang: es'-ges'')
If music be the food of love (First Version) (mittlere bis tiefe Stimme, Tonumfang: h-e'')
Man is for the woman made, from: The Mock Marriage (mittlere bis tiefe Stimme, Tonumfang: cis'-e'')
Love quickly is pall'd (mittlere bis tiefe Stimme, Tonumfang: c'-e'')
Music for a while (mittlere bis tiefe Stimme, Tonumfang: d'-es'')
Since from my dear, from: Dioclesian (mittlere bis tiefe Stimme, Tonumfang: c'-es'')
Nymphs and shepherds, from: The Libertine (mittlere bis tiefe Stimme, Tonumfang: c'-f'')
Turn then thine eyes (mittlere bis tiefe Stimme, Tonumfang: b-e'')
What shall I do, from: Dioclesian (mittlere bis tiefe Stimme, Tonumfang: c'-e'')
When I am laid in earth (Dido's Lament) (mittlere bis tiefe Stimme, Tonumfang: b-f'')
The Knotting Song Hears not my Phillis how the birds"" (mittlere bis tiefe Stimme, Tonumfang: d'-e'')
When Laura smiles (mittlere bis tiefe Stimme, Tonumfang: d'-e'')
If she forsake me (mittlere bis tiefe Stimme, Tonumfang: b-c'')

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Accompaniment: Piano
ISMN: 9790577007793

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