Weihnachten Neuheiten Noten

Die mehrchörigen Choral- und Liedbearbeitungen von Praetorius werden so angeboten, dass die einzelnen Chöre sowohl vokal als auch instrumental zu realisieren sind.

Hugo Distlers Choralpartita "Es ist ein Ros entsprungen" ist Teil seiner "Weihnachtsgeschichte" op. 10, die an den Erfolg der ebenfalls 1933 uraufgeführten "Choralpassion" op. 7 anknüpfte. Bei beiden...

Uraufführung 1933: Lübecker Sing- und Spielkreis, Leitung Bruno Grusnick

Wer die vorweihnachtlichen Konzerte nicht nur mit traditionellem und geistlichem Liedgut bestreiten will, ist mit dieser humorvollen Komposition von Patrick Prestel gut bedient. Im Doo-wop-Stil der 60...

Karl Jenkins' legendary Adiemus gift-wrapped for Christmas! Carol Barratt's seasonal text forms a musical greetings card celebrating holly, ivy and mistletoe, Santa and Rudolph in the snow, sleigh bel...

Oscar award winning composer Rachel Portman has written a new carol The Darkling Thrush, commissioned for the King’s College A Festival of Nine Lessons and Carols. The service took place on Christmas...

Carol Medley (O Come, O Come Emmanuel/The First Noel/I Wonder as I Wander) weaves three beloved carols into one continuous concert moment, built on the haunting harmonies and signature vocal colors th...

How Great Our Joy (with Hark! The Herald Angels Sing) appears in the Voctave Accompanied Series, bringing one of the group’s most beloved holiday moments to a broader range of choirs. The arrangement...

For Christmas concerts, lessons and carols services, or worship settings, the pairing of Rossetti’s poignant carol with Dunnewald’s arrangement of Holst’s tune provides a welcome balance with the more...

This treatment of the traditional English folk song is refreshingly different. There is a vitality to the rhythmic motion, and the harmonic richness brings a new perspective to this quiet melody. Vers...

This rousing Christmas medley incorporates, "O Come, All Ye Faithful," "Joy to the World," "Angles We Have Heard on High," and "Hark! The Herald Angels Sing." Equally effective with piano accompanimen...

Arranger Yukiko Nishimura reveals her distinct musical character through this arrangment of a classic Christmas melody. The goal for this chart is for the players to muscially resonate with each other...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...

In this Grade 1 arrangement of O Come, Emmanuel by Angelo Kortyka, the second clarinet does not go over the break and most parts lie within the range of a sixth. Percussion is minimal and well within...