Wind Instruments - Sheet Music

First Edition

In the opening movement, characterized by fresh inspiration and youthful vigor, the principle of the sequence of motives borrowed from the Baroque concerto still predominates. The dynamically demandin...

A captivating work by the Swiss Schaeuble, who created a grateful tone painting balanced in substance and form, not too heavy in the time of upheaval.

Contemporaries praise Wallner's works for their high degree of originality, perfect compositional technique, and the 'classical romantic fervor' that is especially characteristic of his programmatic g...

A captivating work by the Swiss Schaeuble, who created a grateful tone painting balanced in substance and form, not too heavy in the time of upheaval.

First Edition

The thematic structure of Platti's chamber music fluctuates between late baroque patheticness with sharply accentuated rhythm and 'fashionable' cantabile. For the oboe: wide tonal scale.

A melodious instrumental treasure for the oboe world. The final movement 'Ghasele': a compositional mini-cosmos of finest sound rhymes concentrated on 28 measures!

With his Opus 2, composed in 1889, Nielsen succeeded in a highly regarded prelude to his work, which made him the most popular composer in Denmark after Niels W. Gade. They perfectly reflect the most...

Edited from the original edition

Edited from the original edition

Godard knew how to deliver a wealth of tone paintings and fantasies of enchanting elegance, reflecting the characteristic sound-specific impetus on the melodic instrument in question. The pieces of th...

Edited from the original edition.

Edited from the first Edition.

Edited from the first Edition.

Edited from the First Edition

This sonata makes the most of the oboe's tonal and technical possibilities: the characteristic sweetness and clarity of its tonal language is combined with a depth of expression that gives the piece l...

Edited from the original edition. Aubade villageoise g minor; Mélodie A major; Patorale F major.

Fasch proves himself to be an outstanding contrapuntalist in his instrumental pieces, which, although still rooted in the Baroque, in their essence as transitional works, and without abandoning polyph...