Wind Instruments - Sheet Music

Attractive and very concerto for Bassoon with either piano or strings. The five Concertos of Henry Hargrave were published in 1760 or 1765 and were available to customers in London, Grantham and Cambr...

Short, attractive work, popular with the ABRSM, commissioned for the Cambridge Intermediate Woodwind Competition.

Short, attractive work, popular with the ABRSM, commissioned for the Cambridge Intermediate Woodwind Competition.

Michel Corrette (1707 - 1795) was a French organist, teacher, composer-arranger and author of methods on performing practice. Though little is known of his life, his works, which span nearly 75 years,...

Michel Corrette (1707 - 1795) was a French organist, teacher, composer-arranger and author of methods on performing practice. Though little is known of his life, his works, which span nearly 75 years,...

Scored for 4 Bassoons and Contra. Score and Parts. The first edition of this work was published by Phylloscopus Publications in 2006.

A Study in all Keys for Bassoon, (transcribed by Martin Gatt from "Study in all Keys" for Flute by Louis Drouet). The first edition of this work was published by Phylloscopus Publications in 2000. Dro...

A Study in all Keys for Bassoon, (transcribed by Martin Gatt from "Study in all Keys" for Flute by Louis Drouet). The first edition of this work was published by Phylloscopus Publications in 2000. Dro...

Originally this work was written for horn and piano. In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He wrote Fantasies and Romances for wind and provided an alter...

Originally this work was written for horn and piano. In 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He wrote Fantasies and Romances for wind and provided an alter...

This famous guitar work, written by Tarrega to represent the water of the fountains inside of the Alhambra palace in Granada, has been skilfully arranged for bassoon duet by Martin Gatt. The first edi...

Elegy and Impromptu. Two Concert Pieces for bassoon and piano were written for Kerry Camden. Their titles - Elegy and Impromptu - reflect their strikingly different moods. In the Elegy, the piano play...

Elegy and Impromptu. Two Concert Pieces for bassoon and piano were written for Kerry Camden. Their titles - Elegy and Impromptu - reflect their strikingly different moods. In the Elegy, the piano play...

Tricks and Games comprises a series of short and contrasting pieces, in a light, yet essentially modern idiom. Parts are intended to be played by two pupils of similar abilities, rather than by teache...

Tricks and Games comprises a series of short and contrasting pieces, in a light, yet essentially modern idiom. Parts are intended to be played by two pupils of similar abilities, rather than by teache...

This new edition of 'Compositions' includes the complete piano accompaniments and supersedes the old Useful Music edition (U140) that previously provided the piano accompaniments only on CD. The 'Gra...

This new edition of 'Compositions' includes the complete piano accompaniments and supersedes the old Useful Music edition (U140) that previously provided the piano accompaniments only on CD. The 'Gra...

Three easy bassoon duets and a delightful jazz waltz for bassoon and piano. Bassoon Duets: Bassoon and Piano:

Three easy bassoon duets and a delightful jazz waltz for bassoon and piano. Bassoon Duets: Bassoon and Piano:

Trinity Grade 7. Two testing pieces for ageing bassoonists! First published in 1998 by Useful Music. Popular with the exam boards.

Trinity Grade 7. Two testing pieces for ageing bassoonists! First published in 1998 by Useful Music. Popular with the exam boards.

The opening Chorus from Bach's Cantata № 10: "Meine Seel erhebt den Herren". This arrangement requires four bassoons and either a soprano/mezzo, or a choir singing in unison (upper voices only). In 1...

The opening Chorus from Bach's Cantata № 10: "Meine Seel erhebt den Herren". This arrangement requires four bassoons and either a soprano/mezzo, or a choir singing in unison (upper voices only). In 1...

This piece was originally written for the trombonist Michael Skitt, as the final 'prank' movement of a concerto for trombone and orchestra. (Orchestral material available). By popular request, the pi...

This piece was originally written for the trombonist Michael Skitt, as the final 'prank' movement of a concerto for trombone and orchestra. (Orchestral material available). By popular request, the pi...