Wind Instruments - Sheet Music

The six sonatas for three flutes by Boismortier have a lot of charm because of their rare sound form. All movements - in their simple manner - are set with imagination and sense of sound. Boismortier...

The hometown of Claudia Montero, Buenos Aires, is the inspiration for her works. It express the contrast between a city full of life, and full of romanticism. Medium difficulty.

Icy sounds for four flutes: Dorothea Hofmann's source of inspiration for this work was the beauty of ice, its color wonderland of blue hues, the austere variety of forms of its crystalline peaks, and...

Scharfbelichtete Stimmungswechsel geben 'Spanisch' das Gepräge. Pendelnd zwischen tiefem Ernst und capriccio-artigem Vergnügen, zwischen Trauer und furios ausschwirrender Ausgelassenheit, entsteht ein...

The work, lasting 6 mn, was composed in September 2021. It was written for Sister Marie Laetitia, a Clarisse nun at the Monastery of Ronchamp. Two pieces are offered. The first one, lasting 2 minutes,...

Das Stück nimmt eine Spur auf zum Erbe Debussys und französischer Kammermusik: die Flöte ist far­big ausgestaltet und ein adäquater Gegenpart zum Klavier.

Neben vier Opern, geistlichen und sinfonischen Werken komponierte Augusta Holmès auch Salonstücke für das Klavier, z.B. diesen 'Zigeunertraum': virtuos, in Arpeggien und melodischen Seufzern durch die...

In der Fassung mit Gitarre-Continuo (eingerichtet von Walter Haberl) kommt das Soloinstrument besonders wirkungsvoll zur Geltung. Das Werk wurde 1786 geschrieben.

Hungarian Dance N° 11 for flute choir, score 4 p. and parts. To get an idea of how this transcription sounds, you can listen to the audio sample. The Hungarian Dances are a series of 21 dances lacking...

Hungarian Dance N° 11 for flute quartet, score 3 p. and parts. To get an idea of how this transcription sounds, you can listen to the audio sample. The Hungarian Dances are a series of 21 dances lacki...

Version for Flute and Piano later transcribed as the second movement of the Concero for Piano Op. 38.

Transcribed and arranged by Louis Moyse. Thirty-two pieces for the early grades. Separate flute part with piano accompaniment.

Work for Flute and Piano dedicated to Harry Atwood.

Edited by Louis Moyse. Continuo part to be played by Viola, Cello or Bassoon.

Ausgabe für Flöte und Klavier.