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Airs Écossais (Op. 34) by Pablo de Sarasate is a sparkling work that expresses the famous Spanish virtuoso's admiration for the musical traditions of Northern Europe. Composed in 1877, this work bring...

Intrada, Canzonetta e Saltarello joins the ranks of works in which Jean-François Michel skillfully combines tradition and modernity. The Intrada opens the piece with solemn, radiant momentum and is re...

Intrada, Canzonetta e Saltarello joins the ranks of works in which Jean-François Michel skillfully combines tradition and modernity. The Intrada opens the piece with solemn, radiant momentum and is re...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...

Legacy, by composer Bertrand Moren, is a deeply moving work conceived as a loving and sincere dialog between a father and his daughter. Each musical moment evokes laughter, vibrancy and deep emotion,...

Legacy, by composer Bertrand Moren, is a deeply moving work conceived as a loving and sincere dialog between a father and his daughter. Each musical moment evokes laughter, vibrancy and deep emotion,...

Legacy, by composer Bertrand Moren, is a deeply moving work conceived as a loving and sincere dialog between a father and his daughter. Each musical moment evokes laughter, vibrancy and deep emotion,...

Legacy, by composer Bertrand Moren, is a deeply moving work conceived as a loving and sincere dialog between a father and his daughter. Each musical moment evokes laughter, vibrancy and deep emotion,...

The overture to Csárdásfürstin by Emmerich Kálmán immediately transports the audience into the lively world of early 20th century Viennese operetta. With irresistible energy, Kálmán combines light mel...

The overture to Csárdásfürstin by Emmerich Kálmán immediately transports the audience into the lively world of early 20th century Viennese operetta. With irresistible energy, Kálmán combines light mel...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...