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The overture to Csárdásfürstin by Emmerich Kálmán immediately transports the audience into the lively world of early 20th century Viennese operetta. With irresistible energy, Kálmán combines light mel...

The overture to Csárdásfürstin by Emmerich Kálmán immediately transports the audience into the lively world of early 20th century Viennese operetta. With irresistible energy, Kálmán combines light mel...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

The Duchess of Chicago is one of Emmerich Kálmán's liveliest stage works and was premiered in 1928 at the height of the Viennese operetta era. In this score, the composer combines European elegance wi...

The Duchess of Chicago is one of Emmerich Kálmán's liveliest stage works and was premiered in 1928 at the height of the Viennese operetta era. In this score, the composer combines European elegance wi...

I wrote this piece as a tribute to a person who has the greatest motivation for music that I know, Mr. Norbert Ritler. The purpose of this piece of music is to celebrate his 60th birthday and to highl...

I wrote this piece as a tribute to a person who has the greatest motivation for music that I know, Mr. Norbert Ritler. The purpose of this piece of music is to celebrate his 60th birthday and to highl...

The Sonata in F major by Benedetto Marcello impressively embodies the spirit of the Italian Baroque at the beginning of the 18th century. The cultivated Venetian composer develops a noble and expressi...

The Sonata in F major by Benedetto Marcello impressively embodies the spirit of the Italian Baroque at the beginning of the 18th century. The cultivated Venetian composer develops a noble and expressi...

Alla Turca is one of Wolfgang Amadeus Mozart's best-known themes and comes from the famous Sonata in A major K. 331. The final movement, known as the "Turkish March", is inspired by the janissary musi...

Alla Turca is one of Wolfgang Amadeus Mozart's best-known themes and comes from the famous Sonata in A major K. 331. The final movement, known as the "Turkish March", is inspired by the janissary musi...

The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...