Marcel Chyrzynski

Haiku no. 3

Haiku No. 3 alludes to the original Japanese form. The manner of performance of the individual fragments, as well as the mood being built by the composer, are clearly specifi ed here. For this reason, the performer has little space for emotional over-interpretation of the work, which in itself arouses various emotions in the listener. The work is composed for an instrumentalist who has mastered the technique of permanent breathing. The composer also allows the performance of the work by fl utists who do not have this technique mastered. In this case the breaths and droping of notes (mainly in the last part of the piece) depend on the individual preferences of the instrumentalist. A piece is intended for the last years of the 2nd grade of a music school, academic performers or professional musicians.

Softcover.