Fritz Voegelin

Que no haya salida

...que no haya salida (...that there is no way out) uses the thematic of my work for flute and organ 'Laberinto' (1992 - Editions Bim), composed under the culturel shock caused by my move from South America back to Switzerland. 'Laberinto' corresponding more to the classic greek labyrinth (following Umberto Eco), 'que no haya salida' pursues strictly the idea of the network, where all the corridors can join. '...There is no center, no periphery, even no exit, because potentially infinite...' (Umberto Eco). Thus, the order of the movements is to be choosen freely by the interpreters.