Arthur Dangel
Magic Mushrooms op.77
for saxophone quartet (SATB)
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Arthur Dangel
Magic Mushrooms op.77
for saxophone quartet (SATB)
- Instrumentation Saxophone Quartet (SATB)
- Composer Arthur Dangel
- Edition Score and Parts
- Publisher Musikverlag Chili Notes
- Order no. CN-DAOP77
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Description:
The inspiration for this piece came from a newspaper article With little mushrooms into other spheres. In this country they are called Magic Mushrooms, in Mexico they are called Teonanacatl- divine flesh.
The description of the individual movements:
1 - Premezzo I: It concludes with a physiognomic depiction of the pointed conical bald head and the depiction of a mushroom stone
2 - Premezzo II: The following typesetting are exposed and processed: Punctuality, glissandi, suggestions, slaps and cantabile melodicism.
3 - Colors: individual sounds stand for the colors blue, red, yellow and green
4 - Alienated: the standing beside oneself is composed here as a free canon
5 - Hallucinatory: after a being-stepped-into, the movement begins with a misterioso
6 - Dances: the following dances are performed: Sabre dance, waltz, tango and polka
7 - Psychotic: Psychotic states are depicted between a rising, increasing chain of quavers and crotchets that recurs in a refrain-like manner: Refrain - Fear, sorrow, states of shock - Refrain - Unpredictability, insecurity, ill-feeling, strangeness, concentration disorders - Refrain - Intoxication - Refrain
8 - Alienated: two folk songs are alienated here, namely Ein Jäger aus Kurpfalz and Ein Männlein steht im Walde.
9 - Ritual: In the fourth section of the movement, the setting of the Teonanacatl finally appears. The movement concludes with a chaconne and finally with a furious unison
The description of the individual movements:
1 - Premezzo I: It concludes with a physiognomic depiction of the pointed conical bald head and the depiction of a mushroom stone
2 - Premezzo II: The following typesetting are exposed and processed: Punctuality, glissandi, suggestions, slaps and cantabile melodicism.
3 - Colors: individual sounds stand for the colors blue, red, yellow and green
4 - Alienated: the standing beside oneself is composed here as a free canon
5 - Hallucinatory: after a being-stepped-into, the movement begins with a misterioso
6 - Dances: the following dances are performed: Sabre dance, waltz, tango and polka
7 - Psychotic: Psychotic states are depicted between a rising, increasing chain of quavers and crotchets that recurs in a refrain-like manner: Refrain - Fear, sorrow, states of shock - Refrain - Unpredictability, insecurity, ill-feeling, strangeness, concentration disorders - Refrain - Intoxication - Refrain
8 - Alienated: two folk songs are alienated here, namely Ein Jäger aus Kurpfalz and Ein Männlein steht im Walde.
9 - Ritual: In the fourth section of the movement, the setting of the Teonanacatl finally appears. The movement concludes with a chaconne and finally with a furious unison