Alfred Dürr

Bachs Kantate zum 1. Sonntag nach Trinitatis, erstmals aufgeführt im Jahr 1726, gehört zu den musikalisch reizvollsten Kompositionen des Thomaskantors. Der opulent angelegte Eingangschor veranschaulic...

Bach's cantata for the 1st Sunday after Trinity, first performed in 1726, is one of the Thomas cantor's most musically appealing compositions. The opulent opening chorus programmatically illustrates t...

Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo

Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo

Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor Solo, gemischter Chor-SATB, Oboe (2), Fag.Str, Basso continuo

Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo

Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo

Kantate zum 3. Pfingsttag (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (3), Trp.Str (2), Basso continuo

Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided se...

With the publication of this choral score the performance material for this central work by Johann Sebastian Bach is now complete.

This choral score completes the performance material for this central work by Johann Sebastian Bach.

> BA 5038-90 replaces the previous vocal score but retains its longstanding article number. > The pagination has been adopted from the previous edition. This means that you can rehearse and perform th...

This choral score completes the performance material already available for Johann Sebastian Bach's St. Matthew Passion.

BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...

2. Fassung D-Dur. Gemischter Chor-SSATB - Chorpartitur

First version. Piano reduction based on the Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, trumpet (3), oboe (2), recorder (2), timpani, violin...

Cantata for the 27th Sunday after Trinity (German/English), after the Urtext of the New Bach Edition. Soprano solo, Tenor solo, Bass solo, Oboe (2), Oboe-dacc, Strings, Basso continuo

Kantate zum 2. Ostertag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Oboe-dacc, Streicher, Basso continuo - Partitur; Urtextausgabe

Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo

Erstfassung. Urtext der Neuen Bach-Ausgabe. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Trompete (3), Oboe (2), Blockflöte (2), Pauke, Violine (2), Viola, Basso continuo -...

How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text...

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...