In 1878 Dvorák was commissioned to write something along the lines of Brahms's 'Hungarian Dances”, but using the sounds of his native country. The resulting eight 'Slavonic Dances” led to his internat...
With the publication of the second volume, all of the 'Slavonic Dances' are now available in Urtext. Following the resounding success of the first series op. 46, which immediately made the composer fa...
Dvořák had previously written solo music for Hanus Wihan, later the dedicatee of his cello concerto. When he was planning a trio concert tour for 1892 with Wihan and violinist Ferdinand Lachner and ne...
Though only a minor pendant to the great Cello Concerto, Antonín Dvorák's Rondo op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorák composed...
> Urtext edition reflecting the latest musicological research > Detailed preface (Ger/Cz/Eng) and Critical Commentary (Eng) by the editor > Contains previously unknown music (draft version of dumka no...
Das Opus 81 gehört seit Langem zu den international meistgespielten Kammermusikwerken überhaupt. Die vorliegende Ausgabe basiert auf der 'Gesamtausgabe der Werke Antonín Dvoráks', das neue, ausführlic...
> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...
2 Violinen, Violoncello, Harmonie (Klavier) - Partitur und Stimmen
Very few really important works have been written for piano quintet - alongside the famous works by Schubert, Schumann und Brahms, the quintet that Antonín Dvorák composed in 1887 certainly numbers am...
For several years following composition of his first piano quartet, Dvořák's publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summe...
