Antonín Dvořák

> First Urtext edition since 1955 > Dvorák's most famous string quartet After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical d...

originally for Two Violins and Viola. Edited by The Seraphin Trio.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

This beautiful Romantic work has been expanded from the violin and piano setting and is perfect for strings! The violin I and II, viola, and bass parts are all playable in first position; cello goes t...

Bring together students of all levels for a magnificent festival of music! Perfect for pyramid concerts or combined district performances, this exciting multi-level arrangement includes parts for begi...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

With marked and unmarked string part 1873 was a turning point for Dvorák. Precipitated by the rejection of his opera 'The King and the Charcoal Burner', he tried to give his compositions a new directi...

Dvorák's famous Symphony from the New World abounds in melodic turns and phrases that call up the atmosphere of 'Indian melodies' and spirituals. Among them are pentatonic (five-tone) tunes, and synco...

Antonín Dvorák's chamber music output comprises over forty works. That he became known so quickly beyond the borders of Bohemia was due not least to the many discerning music aficionados who enjoyed p...

The sonatina op. 100, written during Dvorák's stay in the USA in 1893, is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: Thank God, I am healthy and we...

aus der IX. Symphonie

Antonín Dvorák composed his penultimate and most well-known opera “Rusalka” in just seven months between April and November 1900. The premiere took place on 31 March 1901 at the National Theatre in Pr...

For Treble Chorus, a cappella

Accompaniment: Harriet Wingreen, piano; Manhattan String Quartet - The second movement of this beautiful quintet is patterned after the 'Dumka' dance form traditional in Dvorak's native Czech Republic...

Accompaniment: Emanuel Vardi, violin; Tony Rapport, 2nd violin - Dvorak's beautiful Terzetto, composed in 1887 at the very height of his career, is one of only two works using the combination of 2 vio...

Accompaniment: Harriet Wingreen, piano; Manhattan String Quartet - The second movement of this beautiful quintet is patterned after the 'Dumka' dance form. Beautiful melodies, wonderful orchestration....

The ten 'Biblical Songs' op. 99 are the culmination of Antonín Dvorák's song output. This unique cycle, based on Czech Psalm texts from the Kralice Bible, was composed in the United States in 1894. Al...

> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...

> Third volume from the new five-volume Urtext edition of Dvorák's complete songs > One of the most popular and best-known song cycles of the romantic repertoire > Extensive Foreword (Cz/Eng/Ger) and...

> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...

> Second volume of the new five-volume Urtext edition of the complete songs > First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Some songs appear f...

auf Worte von Eliska Krásnohorská