Antonín Dvořák

Although Antonín Dvorák left behind an extensive oeuvre for solo piano, young pianists and less advanced amateurs are usually introduced to the composer's sound world with the same, well-known works....

Es waren die 'Slawischen Tänze für Klavier zu vier Händen' op. 46, die Antonín Dvorák zu unerwartetem internationalem Ruhm verhalfen. Ein untrüglicher kaufmännischer Instinkt bewegte Fritz Simrock Anf...

- Popular piano miniatures which can be played individually and are ideal as encore pieces - New Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng) - Well-presented division of Primo a...

Urtext, single piano edition.

It is with the 'Slavonic Dances' op. 46 that Antonín Dvorák won international recognition in 1878. Apart from Symphony No. 9, 'From the New World', and Cello Concerto op. 104, they are among the best-...

It is with the 'Slavonic Dances' Op. 46 that Antonín Dvorák won international breakthrough in 1878. Apart from Symphony No. 9, 'From the New World', and Cello Concerto Op. 104, they are among the best...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

The remark of the music critic Louis Ehlert on the Slavonic Dances that this 'is good for the soul of a decent musician' could also apply to Dvorak's compositions of waltzes and mazurkas: They are a s...

Connections with Chopin's highly stylized waltzes cannot be found in Dvorak's counterpiece at all. Instead, the Bohemian composer enchants the listener with folkloristic elements and a very individual...

Connections with Chopin's highly stylized waltzes cannot be found in Dvorak's counterpiece at all. Instead, the Bohemian composer enchants the listener with folkloristic elements and a very individual...

Connections with Chopin's highly stylized waltzes cannot be found in Dvorak's counterpiece at all. Instead, the Bohemian composer enchants the listener with folkloristic elements and a very individual...

Dvorák's Waltzes and Mazurkas prove to be a successfully contrived balancing act between stylised composition and musical immediacy. The music critic Louis Ehlert once wrote of Dvorák's Slavonic Dance...