> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...
> First Urtext edition since 1955 > Dvorák's most famous string quartet After a twelve-year interval, Dvorák once again turned his attention to the string quartet in summer 1893. He had been musical d...
> First Urtext edition of the original piano reduction > Variants in the solo part rendered as ossia passages > Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by th...
Antonín Dvorák's chamber music output comprises over forty works. That he became known so quickly beyond the borders of Bohemia was due not least to the many discerning music aficionados who enjoyed p...
Dvorak's Rondo Op. 94, originally for cello and piano, has been transcribed for viola and piano by Kim Kashkashian, internationally recognized as a unique voice on the viola and a respected pedagogue....
Auf zu neuen Welten! - Das pathetische Hauptthema der Blechbläser aus dem letzten Satz Antonin Dvoráks berühmter 9. Sinfonie kündigt nach dem dramatischen Beginn der Streicher die 'Neue Welt' an. Idea...
