Bernhard Päuler

Frist Edition

The beauty and brilliance of this sextet, which can be performed well without horns, are unparalleled: it will remain forever young.

One of the most beautiful and espressive works in the rare quintet instrumentation with oboe, balanced in the treatment of all instruments with moderate technical demands. Repertoire.

First Edition

A work entirely in the blending of the Italian and German instrumental styles. The melodic balance among the voices is self-evident for the cellists Cirri. Medium level of difficulty.

First Edition Largo cantabile - Allegretto - Vivace assai

First Edition

From the illustrious Neapolitan collection of 24 'Concerti di Flauti, Violino, Violetta e Basso Di Diversi Autori' of 1725. A work that works both solo and with choral string instrumentation.

This attractive work is part of the famous Neapolitan collection of 24 concertos, created around 1725 as 'Concerti di Flauto, Violino, Violetta e Basso Di Diversi Autori'.

Edited from the first edition.

The impressive work of an early composer. The timeless tonal beauty and the technical refinement should promote the rediscovery of the quintet.

First Edition

The long out-of-print Serenade by the Würzburg master enriches the palette of unusual instrumentations with a playful, instrumentally finely graduated work.

Hoffmeister's chamber music for and with flute guarantees instrumentally equal enjoyable music-making at a high level of invention and expression.

Edited from the original edition.

Edited from the original edition.

Edited from the original edition.

The 'finely educated, humane, extremely modest artist' Hänsel gave us with the clarinet quartet one of the most attractive and valuable contributions of this genre.

First edition

First Edition

A sonorous jewel by the great clarinettist of the Meininger Hofkapelle. The touching, simple singing of the slow movement is unparalleled.

The arrangement of Bach's 5th organ trio sonata for strings and suspended bass is ideally within the range of the violin and viola; octave shifts were not necessary.

Bach's 4th organ trio sonata, originally in E minor, was transposed by a third to C minor, and thus ideally adapted to the range of the violin and viola.

Edited from the original edition-

First Edition