Berthold Over
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Set of Parts - Harmony Download
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Set of Parts Download
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the solo quartet in K. 276, which, similar to the Salzburg masses, often only dia...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the solo quartet in K. 276, which, similar to the Salzburg masses, often only dia...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
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Die italienische Kantate im Kontext aristokratischer Musikpatronage Als 'Stiefkind' der Musikforschung erfuhr die italienische Kantate erst in den vergangenen Jahren eine stärkere Kontextualisierung i...
Die italienische Kantate im Kontext aristokratischer Musikpatronage Als 'Stiefkind' der Musikforschung erfuhr die italienische Kantate erst in den vergangenen Jahren eine stärkere Kontextualisierung i...
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Einzelausgabe aus Band 6 der Gesamtausgabe (Geistliche Gesänge 1)
Einzelausgabe aus Band 6 der Gesamtausgabe (Geistliche Gesänge 1)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Violin 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Parts: Cello and Double Bass (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Oboe 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Oboe 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Trumpet 1 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Trumpet 2 (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Timpani (Download)
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Instrumental Part: Organ (Download)
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Rheinberger komponierte das Salve Regina WoO 54,2 ca. 1880, zunächst in einer Fassung für SSA a cappella, die er aber am 22. Dezember 1881 überarbeitete und um eine Orgelbegleitung erweiterte. Diese F...
Rheinberger komponierte das Salve Regina WoO 54,2 ca. 1880, zunächst in einer Fassung für SSA a cappella, die er aber am 22. Dezember 1881 überarbeitete und um eine Orgelbegleitung erweiterte. Diese F...
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Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen...
Im Gegensatz zu den beiden 'Regina coeli'-Vertonungen KV 74 und 127, die mit Solosopran und Chor besetzt sind, verwendet Mozart in KV 276 das Solistenquartett, das ähnlich wie in den Salzburger Messen...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Set of Parts
- Paul Horn
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Eine Besonderheit der 'Missa in C' ist die zyklische Anlage, ein Kompositionsprinzip, das Mozart innerhalb seines Messenschaffens in dieser Messe zum ersten Mal anwendet. Im 'Agnus Die' greift er auf...
Eine Besonderheit der 'Missa in C' ist die zyklische Anlage, ein Kompositionsprinzip, das Mozart innerhalb seines Messenschaffens in dieser Messe zum ersten Mal anwendet. Im 'Agnus Die' greift er auf...
- Soloists, Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins and Continuo
- Set of Parts
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