The Gloria in D RV 589 is Vivaldi's best-known sacred work and one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717 for...
Das Gloria in D RV 589 ist das bekannteste geistliche Werk Vivaldis und gehört zu seinen bedeutendsten kirchenmusikalischen Kompositionen. Es ist als selbstständiger Einzelsatz vermutlich zwischen 171...
The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflöte, and an acute infection led...
So populär die Motetten Bachs sind, so problematisch ist ihre Überlieferung. Nur von 2 Motetten sind Autographe und von Bach benutzte Stimmen erhalten, bei allen anderen müssen wir uns mit mehr oder w...
This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...
Jan Dismas Zelenka's Missa Dei Filii ZWV 20 is the second of the three surviving 'Missae ultimae', but like other 'short masses' in the 18th century it consists only of Kyrie and Gloria. Nevertheless,...
Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata 'The Lord careth for us' BWV 196 has its charm, and through its conc...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
hrsg. im Auftrag des Staatlichen Instituts für Deutsche Musikforschung (Reihe wird fortgesetzt)
Esteemed dedication to the laudable Liedertafel Frohsinn on the occasion of its founding celebration in 1868, Bruckner wrote on the autograph of his motet, first performed in Linz on May 10, 1868. The...
