Paul Horn

For his cantata BWV 152, Bach chose an unusually chamber-musical instrumentation that still has a very colorful and lively effect today: The two solo singing voices are accompanied by recorder, oboe,...

The Missa in g is the only surviving work in this genre by Johann Hugo von Wilderer, whose work as Kapellmeister at the Electoral Palatinate court, which had resided in Mannheim since 1720, was mainly...

Like few other settings of the Ordinary, Mozart's masses combine high artistic perfection and beauty of sound with the requirements of the liturgy; even the text-rich movements "Gloria" and "Credo" in...

Biber's Requiem in F minor is amongst the most impressive settings of the Requiem Mass of the 17th century. The exact reason for the composition of the Requiem, which can be dated to 1692, is not know...

Jan Dismas Zelenka's Missa Dei Filii ZWV 20 is the second of the three surviving 'Missae ultimae', but like other 'short masses' in the 18th century it consists only of Kyrie and Gloria. Nevertheless,...

Malotte's perennial wedding favorite, The Lord's Prayer, appropriate for any sacred occasion. Instrumentation: 5 C Flutes, Alto Flute (or C Flute), Bass Flute (or C Flute)

No. 13 of the 'Opus ultimum'

Die Missa in g ist das einzige überlieferte Werk dieser Gattung von Johann Hugo von Wilderer, dessen Schaffen als Kapellmeister an dem seit 1720 in Mannheim residierenden kurpfälzischen Hof hauptsächl...

Das Gloria in D RV 589 ist das bekannteste geistliche Werk Vivaldis und gehört zu seinen bedeutendsten kirchenmusikalischen Kompositionen. Es ist als selbstständiger Einzelsatz vermutlich zwischen 171...

Solo S, Coro SA, Org