Bob Washut

With solo space provided for trumpet, this terrific swing shuffle with solid orchestration will help any advancing group sound its very best! Ample horn articulations are provided throughout, and audi...

With solo space provided for trumpet, this terrific swing shuffle with solid orchestration will help any advancing group sound its very best! Ample horn articulations are provided throughout, and audi...

Written in a minor blues form featuring an 8-bar bridge, this challenging original depicts the music of Art Blakey's Jazz Messengers from the late '50s and early '60s. It requires an aggressive approa...

Written in a minor blues form featuring an 8-bar bridge, this challenging original depicts the music of Art Blakey's Jazz Messengers from the late '50s and early '60s. It requires an aggressive approa...

Written in a minor blues form featuring an 8-bar bridge, this challenging original depicts the music of Art Blakey's Jazz Messengers from the late '50s and early '60s. It requires an aggressive approa...

Commissioned by the University of New Mexico Jazz Band I, this chart for proficient groups is an even-eighth jazz waltz that features lead alto and guitar (or piano). The lead trumpet player is showca...

Commissioned by the University of New Mexico Jazz Band I, this chart for proficient groups is an even-eighth jazz waltz that features lead alto and guitar (or piano). The lead trumpet player is showca...

Commissioned by the University of New Mexico Jazz Band I, this chart for proficient groups is an even-eighth jazz waltz that features lead alto and guitar (or piano). The lead trumpet player is showca...

Every well-paced concert needs a chart like this. Veteran jazz educator Bob Washut brings us this even-8ths feel original composed for the State University of New York at Oswego Jazz Ensemble. It requ...

Every well-paced concert needs a chart like this. Veteran jazz educator Bob Washut brings us this even-8ths feel original composed for the State University of New York at Oswego Jazz Ensemble. It requ...

Every well-paced concert needs a chart like this. Veteran jazz educator Bob Washut brings us this even-8ths feel original composed for the State University of New York at Oswego Jazz Ensemble. It requ...

A feature for guitar (and/or piano and vibes), this chart is a tuneful, quasi-Latin composition inspired by the Pat Metheny Group. A contrasting middle section moves to a half-time vamp that features...

Commissioned by Al Naylor for the Linn-Mar Jazz ensemble. An authentic Latin jazz compostion (son Montuno) inspired by the Cal Tjader/Eddie Palmieri collaborations. Features guitar and piano solos. No...

A burning, Afro-Cuban chart. Solo changes are in alto 1, flugelhorn (trpt 5), piano and guitar parts, with backgrounds cued. Middle section is an additive rhythmic layering over a cowbell/shekere groo...

Composed by Mark Levine arr by Bob. A 'McCoy Tyner meets Eddie Palmieri' minor blues set in a burning rumba guaguanco groove. Solo changes are in all parts, with backgrounds cued. After the solo secti...

This is a small group version of the big band composition commissioned by Bobby Shew. Features a variety of rhythmic feels, including son montuno, Afro-Cuban 6/8 and mozambique. Scored for 2 trps, trb...

A challenging, contemporary modal swing composition, 4th D(imension) is inspired by a book entitled Bold New World. A highly contrapuntal texture is created by the canonic introduction and the 4-voice...

A modal composition in a fast swing feel. This arrangement was commissioned by its composer, saxophonist Dick Oatts, for a performance by a German radio band. Solo changes are in alto 1, tenor 1-2, tr...