Bruno Mantovani

Between 2006 and 2009, I was primarily concerned with writing for orchestra (Time Stretch, Finale, Concerto for two violas) and with the idea of narration (several choral pieces, my opera l'Autre côté...

This piece is linked with Marina Abramovic's painting Spirit of Mozart, as part of the 'Kunst-projekt Salzburg'.

A short piece concentrated on the high register of the saxophone and cello... A unified object requiring self-realization within a project of greater scope... Three instruments: the shell, the egg whi...

After Rainer Maria Rilke, Giacomo Leopardi and Friedrich von Schiller, it is Paul Tymich who has the place of honour in this fourth cantata. The poet from Leipzig, whose famous ''Komm, Jesu, Komm!'' w...

Tell us about the genesis of this score, composed as part of your residency with the Strasbourg Philharmonic Orchestra? I composed Memoria for the Orchestra's strings, recognizable by their shimmer a...

Fanfare to Commemorate the Opening of the Sapporo Cultural Arts Theater

Par sa nature conflictuelle et son caractère souvent virtuose, le genre du concerto m'a toujours fasciné. Après avoir écrit des œuvres assez traditionnelles où un soliste s'opposait à une masse orches...

When I was a small child, it was being introduced to Beethoven's music that made me want to become a musician. His music is my compositional backbone, always answering the questions that I ask myself,...

A straight-ahead Waltz in a stock style. No solos, just good sectional interplay. Lead Alto doubles Clarinet, Baritone doubles Alto.

10 copies