Carl Maria von Weber

There were two reasons behind Weber's hesitation to perform his opus 79, known as 'Concert Piece' in public. As he wrote to the music journalist Friedrich Rochlitz, experience had shown that concertos...

Aufforderung zum Tanz op. 65

Polacca brillante op. 72

Konzert Nr. 2 op. 32

Carl Maria von Weber's fame rests mainly on 'Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain w...

Carl Maria von Weber‘s fame rests mainly on ‚Der Freischütz‘. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain w...

Carl Maria von Weber's fame rests mainly on 'Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain w...

Hal Leonard Solo and Ensemble Series - Grade 3

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

The bassoon concerto by Weber ranks second only to that of Mozart in importance. Since first appearing in print in 1823 it has been republished many times; however the version in which it is generally...

Weber's Op. 35 forms a fitting companion-piece to his well-known concerto for bassoon. No less effectively written, its 'Hungarian' rhythms and accents admirably suit the character of the instrument....

Bei der hier erstmals im Druck vorgelegten Fassung der As-dur-Klaviersonate op. 39 (Jähns, Weber-Verzeichnis Nr. 199) für Flöte und Klavier handelt es sich vermutlich um eine autorisierte Bearbeitung...

Nach seinem Stuttgarter Debakel war Carl Maria von Weber ( geb. am 18. Nov. 1786 in Eutin, gest. am 4./5. Juni 1826 in London) über Mannheim und Heidelberg im April 1810 in Begleitung seiner Freunde G...